'Hide' is the fourth episode of Doctor Who in this second half of the series. It tells the story of two paranormal investigators analysing a house and a ghostly presence that appears in photos but always in the same position. They are soon joined by the Doctor and Clara, with a quick name-check to 'Ghostbusters', who help them investigate.
After several episodes that have been average at best, 'Hide' is another episode that is perfectly enjoyable but not one of the all time best episodes. Like last week's 'Cold War' the director nailed the atmosphere perfectly and the scary nature of the ghost was captured well. The images of the ghost in photos were nicely created and, alongside the monster in the latter part of the episode (which was, like the best monster films, effective through never been fully seen) were well done, though the mirrored panel less so which looked too false.
The biggest surprise of the episode is how it was written be the same writer that did 'The Rings of Akhaten' two episodes ago. Whereas that was a dragged-out disappointment, this was far, far better with some sparkling dialogue and some neat references back such as the orange fire-suit and the Eye of Harmony.
The story itself flowed well and felt more cohesive than previous episodes, with no immediate resolution and some neat twists and turns, with the conclusion nicely spaced out and lacking the rushed and questionable ending showcased on the last two pieces. The sequence of earth through the ages and the blossoming relationship between the two paranormal investigators were particular highlights and it all gelled well, and the additional ending was a sweet addition, that was handled well by Matt Smith who, alongside Louise-Coleman, shone in this episode. The arc-plot of the TARDIS re-acting to Clara was mentioned again and there was an intriguing scene with the phone box's automatic speech hologram which suggests something more unusual about Clara.
After a handful of average episodes this stands up above them, though the lack of a really strong sense of arc is still disappointing. It's not a classic but was an enjoyable, atmospheric piece of film that shows the writer Neil Cross can do a great piece of drama.
Saturday 20 April 2013
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