CalvinHarrisMusicRecord

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

Sunday, 31 March 2013

Tomb Raider (Reviewed on PC)

Posted on 02:38 by Unknown

I’ve been a long time fan of the ‘Tomb Raider’ series, focussing on archaeologist Lara Croft who raids tombs, shoots animals and wears ill-fitting bras in equal measure. I’ve played all of the original five ‘Core Design’ games on PC and even got a PS2 just to play the sixth, still an enjoyable game even if the controls left a lot to be desired.

Many agreed and British company ‘Core Design’ lost the franchise but left behind an impressive legacy of some truly great games, graphically inferior now but with game play, exploration and a sense of wonder that was unrivalled.

US company ‘Crystal Dynamics’ then took over the franchise, presumably because EIDOS has spent too much money promoting the letters C and D and it went downhill from there. I’ve played all their attempts at Tomb Raider games and, no matter what they did, even down to re-creating the original in an anniversary cash-in, they failed to capture the original’s magic. Sure, the graphics were far superior but the game play was linear, the puzzles simple and the game too much focussed on human combat.

These games too didn’t fare too well but well enough for the company to be in charge of the series when it was rebooted once more, in the simply titled ‘Tomb Raider’. With a trailer that sounded like a whinging teenager being sent on a holiday she didn’t want to go on and rumours of a dodgy rape scene included within it, the game soon garnered attention of the critics who awarded it the most promising status of a game that year, and have since showered it with praise since it landed earlier this year. But how does it stack up?

Firstly, they have done a good job in making the game accessible. I gave up with major PC gaming twelve years ago when I couldn’t be bothered spending hours struggling with installing games and then finding out my PC wasn’t powerful enough, heading into console gaming via the PS2, Wii and WiiU and enjoying stress free playing. But, as Eidos have short-sightedly not released this game on Nintendo’s new home console (sales aside of the new console, the concept would have fitted brilliantly on the GamePad) I’ve returned to the world of PC gaming. And, thankfully, though my PC is four years old and running Vista, I can still run the new game, albeit it in 800 x 600 on the lowest graphic settings, but play it I can.

So how does it play? Graphically the game is very impressive in full quality but also quite tolerable and neat in the stripped-back way I’m playing it. Installation of the game itself was pain free but Steam, which you have to install at the same time, took two-hours and multiple attempts to wrench onto my system due to a 27% problem that lots of people reported having. I spent most of the time humming Dappy, bemoaning my own ‘Forever 37’ motif.

But once Steam decided to accept me onto their system it was plain sailing and the game was up. Now, in a nutshell, this is the best Tomb Raider game since the days of Core Design. However, you have to wait about two hours to get to this point as you will find the first couple of hours of play very frustrating.

What they have created in the initial outset is a movie that you can play. It feels like you’ve gone into the cinema to watch a movie then every so often the action will stop and you’ll have to randomly press some buttons on your smart phone to continue the action. Now, I’m fully familiar with Quick Time Events (QTEs) that were established in the more recent games and they’re a perpetual annoyance, breaking up the game and requiring some seemingly ineffectual button tapping, but the opening of the game feels like one continual QTE. You’ll run for thirty seconds then have to stop for a bit and watch a video, or randomly have to button mash the arrow keys or the E or F key to do something – but not too much mashing as it won’t recognise it! The first two hours were a very distracting affair, wanting to play a game and enjoying the concept but forced into a linear progression of stop-start game play.

Plus, the game on PC sets you up for a nightmare of controls at the start. I imagine on Xbox 360 or PS3 gamers have no issues, and even those with a PC game pad will be fine, but for me it was a struggle. I’m used to the traditional Tomb Raider controls of left hand on CTRL, ALT and SPACE, right hand on the arrow keys. All the prompts of the QTEs say to mash the left and right so that’s naturally where my fingers fall. However, unless you want to die a lot or fade madness, then you need to use WASD as your directional keys as the mouse is necessary to control shooting and the camera work, and you’ll be doing this regularly as the camera is rubbish.

I’ve spent the last few months playing ZombiU on my WiiU and the controls work flawlessly with a strong camera. Going back to PC gaming has made me realise you can no longer play games as well on a keyboard so a gamepad is a must to fully enjoy this game; four keys are no compensation for an analogue stick.

Once you escape this QTE hell and the game opens up, it actually becomes far more enjoyable and like the old days of ‘Tomb Raider’: lots of collectables, the feeling of running around doing side-quests, not entirely sure where you are going, and doing lots of acrobatics. Combat is particularly fun in the game, primarily with the bow and arrow, and even made me overlook the fact that the franchise continues its transformation from lone-archaeologist encountering dangerous animals and perhaps a few humans but mainly puzzle solving into an action adventure game more focussed on combat. If Lara Croft wasn’t in it, it really wouldn’t deserve its title, as the tombs that do appear in the game are few and far between and though you’re on a secluded island, the sense of loneliness never really amounts to much as you’re always ten minutes away from another fire-fight with angry locals, whose AI is OK but not particularly difficult.

And that is one thing you can say about the game. Outside of the controls often making you fall to your death, the game is rather easy. Deaths at the hand of QTEs return you to just before the death and combat never really challenges you, due to a health scheme that forgoes a health bar and medipacks with one that, if you avoid fire or bullets for long enough you’ll return to health, plus ammo that re-spawns when you run out. You will find yourself dying quite a bit but it very rarely feels like a penalty like it did in the classic games.

Where the game does excel is in its set pieces; it’s a game that constantly throws new and exciting scenarios at you, carried by the well plotted story, which means when you’re stuck watching a film it’s at least interesting. There are some well created elements at the beginning, such as a stealth section, hiding behind walls to avoid capture, a truly nerve-racking climb to a radio antennae that does reflect the height very well, and a great scene involving a plane crash, though to be honest it’s actually unintentionally comic, like something out of a Looney Tunes cartoon. The game does feel like it’s constantly punishing  Lara and it becomes almost sadomasochistic in one breath, and comedic in the other, as if you’re playing a Christopher Nolan re-boot of Tom and Jerry where you see how much cartoony punishment your lead can take.

Lara as a character is learning her role and does play like a constantly whinging teenager. Yes, she does get a lot of things thrown in her direction and I certainly wouldn’t like to do it, but she’s a million miles away from the confident young adventurer we’re familiar with. Though it’s well designed to see her respond realistically to injury – an early stomach injury leaves her hunched over for a while – she also should be dead long ago with the things she does through. I do sort of miss the old days of vehicles, unlimited pistols and locking butlers in fridges.

Tomb Raider may suffer from difficult controls and camera work in the non-game pad PC version and, in the early stages, be too focussed on story and less on the gamer being able to play, but it soon becomes an enjoyable play with some interesting concepts, great combat and some neat puzzles. It’s pretty easy to play and lacks the challenge of the originals, and is pretty far from the initial concept of the series, but there are unlockables and collectables a-plenty and even when you’ve finished the storyline there’s much to get. You can always wander of the beaten track and go on a bit of animal hunting or object finding, and there’s back story to work through via notes and items found, plus a vast map to navigate around, and the ability to play a new game on a four year old PC is good of the company.

It’s not really ‘Tomb Raider’ and it’s too simple, but it’s an enjoyable game to play and worth picking up for £20.

6.5/10

Read More
Posted in Tomb Raider | No comments

Doctor Who - The Bells of Saint John [Review]

Posted on 01:57 by Unknown

‘Doctor Who’ returns for another run of episodes with this mid-season opener. The Doctor is back in 1207 trying to work out the mystery of Clara Oswald whilst the latest iteration of the character is in contemporary London, babysitting for some children and coming up against problems with the internet.

In an opening seemingly stolen from his own ‘Blink’, Moffat starts by fleshing out the story of aliens capturing people and trapping them in a computer and though there is a fun initial twist it’s pretty obvious.

What follows is a surprisingly packed episode with some cracking, cheesy jokes and a funny solution to the episode title, even if it feels that the title was set up just for one joke. Which sort of sums up this episode: it feels like a collection of small parts but not much of an episode as a whole.

There are some brilliant set pieces that make up the forty-five minutes: the crashing plane looked amazing and dramatic on the budget; the use of the London skyline into the cinematography and plot well done; and the concept of the aliens and the turning of something as familiar and pedestrian as wi-fi into something evil inspired. However, for every great bit such as the mention of Amy Pond’s book, the witty moments in the script such as the Doctor relaying the phone messages he took whilst Oswald was knocked out and a well constructed dig at Twitter, and the far better ten-minute denouement, there is as much that seems stilted. I’m yet to be a big fan of Oswald as a character, whose dialogue with Smith’s Doctor often seeming out of sorts.

The ‘Doctor Who’ conversation bit was obviously tying into the overall plot arc but seems forced and he knows Oswald is in danger, so why not just let himself into the house as he eventually does?

‘The Bells of Saint John’ felt much like a lot of great ideas hastily assembled on a piece of paper and put together as a plot. That’s not to say these elements were not great – the plane scene, the motorbike scene, the triple-bluff of the robots (even if it smacked of familiarity of the previous series’ big twist) were all great, as were the many jokes scattered throughout the piece – but it felt like scenes were put in just for laughs or their visual spectacle rather than contributing much to the story.

But the episode did set up some interesting plot points. Who gave Clara the Doctor’s phone number? (I’m guessing River Song) How does Richard E Grant’s ‘The Great Intelligence’ fit into the overall series arc and November’s 50thanniversary special? And will this version of Clara survive longer than the others, and how do all her iterations work together?

The visual spectacle of the episode was impressive and the CGI never looked less than convincing, with a genuinely creepy plot concept, it’s just a shame it never felt like anything more than a collection of sketches.

Though I felt the episode a little lukewarm, it’s still a far better episode than we enjoyed in the RTD era, with a conclusion that didn’t feel rushed or illogically, with some cracking set pieces and jokes. I have to say next week’s trailer didn’t sell the rest of the series to me but we’ll judge that next week, and the episode did find itself overshadowed by the news of Tennant’s return in November (yay!) alongside Piper (Not so yay), though chances are to fans that they’ll be returning then as the half-doctor and old assistant, rather than the previous version of the doctor.

(6.5/10)
Read More
Posted in Doctor Who | No comments

Trance [Review]

Posted on 01:23 by Unknown

‘Trance’ is the latest film by director Danny “Trainspotting! Slumdog Millionaire! 28 Days Later! Olympics!” Boyle, focussing on a heist of a famous piece of art, stolen by Franck (Vincent “Black Swan” Cassel) and his three other criminal accomplices, but stopped from being stolen by Simon (James “Wanted” McAvoy). Knocked out and forgetting where he hid the painting, Franck sends him to a hypnotist – Elizabeth (Rosario “Men In Black 2” Dawson) – to try and work out where he hid it.

‘Trance’ rolls out in  a similar way to McAvoy’s recent film ‘Welcome To The Punch’, in that you’re never entirely sure who is who, and who is on whose side, making it for an exciting ride as you work out the truth, told through a series of flashbacks and dreams, with it being unclear what is real, what is the result of the hypnosis and what has been implanted in the mind of Simon.

The answer to this is mostly within plain site in the first twenty minutes but even if you work this out there is still much to be had and working out how and why even if you have the who. The clues to the conclusion are scattered throughout in scenes and there is a satisfaction of working it out and even though you’ll spend much of the film scratching your head, though not the level of ‘Inception’, it’s all nicely explained so you can leave the cinema without lots of questions and there is something delicious in seeing a character’s revenge portrayed so visually on screen and it never feels illogical.

McAvoy, Cassel and Dawson are all strong leads in the film and carry the film confidently even if Dawson is, at times, exploited for her sexuality. There are several strong set pieces including the opening heist and the action-orientated conclusion and some well judged strands of black comedy and one example of rather creepy CGI. There are some nice touches for the cinematography to represent the state of mind of the characters with some well framed and set-up shots and a well planned concept of using tablet computers to expand the story. The music didn’t particularly stand out to me, but did its job.

Overall ‘Trance’ was an exciting concept well played out with enough twists and turns to keep you guessing but a well-composed solution to tie up the loose ends. Pretty explicit in my opinion for a 15, ‘Trance’ is well worth a watch for its constant shifting of plot.

(7/10)
Read More
Posted in Trance | No comments

Saturday, 30 March 2013

Upcoming Singles (Updated 30th March 2013)

Posted on 02:05 by Unknown

This Week’s Singles

Alison Moyet - When I Was Your Girl
Andy Burrows – If I Had A Heart
Biffy Clyro – Biblical
Charlie Brown – On My Way
Dan Croll – Compliment Your Soul
Duke Dumont feat. A*M*E – Need You (100%)
Emma Stevens – Dreaming Trees EP
Frightened Rabbit – Backyard Skulls
Haim – Falling
Heaven’s Basement – I Am Electric
Jacob Banks - Worthy
New Kids On The Block - Remix (I Like The)
PJ and Duncan – Let’s Get Ready To Rhumble (100% Radio Mix)
Rihanna - Pour It Up
Tom O'Dell - Hold Me
Vampire Weekend – Diane Young
The XX - Sunset

7th April
Angel - The World
Leddra Chapman – All About You
Madness - How Can I Tell You
Nina Nesbit - Stay Out EP
Willy Moon - Get Up (Get What You Need)

Unconfirmed
The Brand New Heavies – Sunlight
The Joy Formidable - Little Blimp
Sub Focus – Endorphins

14th April
Josh Kumra - The Answer
Platnum - Love You Tomorrow
Rascals feat. Professor Green – Fire Blaze
Rudimental feat. Ella Eyre – Waiting All Night EP

Unconfirmed
Bat For Lashes - Lilies
Beth Orton - Dawn Chorus
Disclosure - TBC
Gamu - Shake The Room

21st April
Amelia Lily - Party Over
Lethal Bizzle feat. Wiley - They Got It Wrong
Loveable Rogues - What A Night
Nicky Romero & Nervo - Like Home

Unconfirmed
Chicane & Ferry Corsten feat. Christian Burns - One Thousand Suns
Don Broco - Whole Truth

28th April
Unconfirmed
Bo Bruce – Save Me
Emilia Mitiku- Your Breaking My Heart
Misha B - Here's To Everything (Ooh La La)
Pitbull feat. Christina Aguilera - Feel This Moment

5th May
Gabrielle Aplin - Panic Cord
Jai McDowall - Got To Let Go

12th May
Unconfirmed
Bastille - Laura Palmer
Dot Rotten - Free
Frank Ocean - Sweet Life
Josh Groban - I Believe (When I Fall In Love It Will Be Forever)
Stooshe - Slip
Wretch 32 feat. Shakka - Blackout

2nd June
Icona Pop feat. Charli XCX - I Love It

Upcoming Singles With Unknown Release Dates
Alicia Keys - Brand New Me
A$ap Rocky - Goldie
Beth Nielsen Chapman - There Is No Darkness
Blue – Hurt Lovers
Brinsley Forde - Can’t Stop Me Now
Calvin Harris feat. Ellie Goulding – I Need Your Love
Cean Bandit – Mozart’s House
Eric Clapton feat. Chaka Khan – Gotta Get Over
Eric Prydz - Every Day
Foals – Late Night
Frank Ocean - Super Rich Kids
Hurts - Blind
Jenn Bostic - Not Yet
Just Blaze X Baauer – Higher
Lloyd – Do It Again
Luke Sital Singh - Bottled Up Tight
Maroon 5 – Daylight
Mat Zo and Porter Robinson - Easy
Michael BublĂ© - It’s A Beautiful Day
Miguel - How Many Drinks
Mallory Knox - Beggars
Mumford and Sons – Whispers In The Dark
Robert Cray Band - A Memo
The Script – If You Could See Me Now
Read More
Posted in music, new music, new releases, new singles, releases, single releases, singles | No comments

Sunday, 24 March 2013

Welcome To The Punch [Review]

Posted on 14:44 by Unknown

You know how there is a running joke in films that everyone can operate a gun without worry but seemingly cannot hit anyone? Well ‘Welcome To The Punch’, a crime action film starring bankable stars James McAvoy and Mark Strong, takes this to the nth degree and almost descends into parody, with more high powered weaponary in small spaces that apparently can’t hit anybody.

‘Welcome To The Punch’ focusses on the relationship between Max Lewinsky (McAvoy) and Jacob Sternwood (Strong) who in an encounter that opens the film sees Lewinsky almost catch Sternwood but fails and gets a shot knee for his trouble, something that still affects him when the action jumps forward three years. Still smarting from the events of three years previously, he jumps at the chance to get his revenge when Sternwood’s son is captured at an airport after being shot in an attack. What follows is part-chase movie, part-thriller, part-conspiracy film as Lewinsky has to work out who is good, and who is bad, with his colleagues and foes both shifting sides and also becoming fodder for the aforementioned guns when they can hit.

The film does play well as a poster child for Britain. We get sweeping vistas of the London skyline and a cast of actors that reads like a who’s-who of British acting: David Morrissey! Primeval’s Jason Flemyng! Ashes To Ashes’ Daniel Mays! Johnny English: Reborn’s Daniel Kaluuya! Even that chap from the band in ‘Not Going Out’ playing a hairdresser!

As a movie, though, it’s enjoyable enough to watch if a little bit confusing at times, and I pride myself on being able to follow most films pretty well. Its conspiracy and back-stabbing side works well and has several great scenes including one involving a character’s grandmother. But the film ends abruptly and lacks a strong resolution and I felt like it was missing another ten minutes just to tie things up.

But ridiculous gun work aside, the action was engaging, the plot revelatory and the characters relatively interesting, but it did feel like it was tying itself up in knots at the end and substituted true insight for bullets. Lots of bullets. And lacked a strong ending.

(Though at least its slightly mysterious film title was referenced visually rather than shoe-horned into the dialogue)



(6/10)
Read More
Posted in Welcome To The Punch | No comments

Side Effects (Review)

Posted on 06:09 by Unknown

‘Side Effects’ tells the story of Emily Taylor (Rooney Mara) who is struggling with the return of depression as her husband Martin (Channing Tatum) is released from jail for insider trading. She books an appointment with psychiatrist Dr. Jonathan Banks (Jude Law) who prescribes her with new drug Ablixa but it causes her to sleepwalk and commit a crime. But is all that it seems in her past, as Banks tries to find out by quizzing her former doctor Victoria Siebert (Catherine Zeta-Jones).

‘Side Effects’ is an intriguing film which keeps you hooked for its 1hr40 running time with Law in particular bringing a lot to the role. As the plot reveals itself and Banks tries to get to the truth behind everything, it keeps you engaged but the revelation at the end is pretty much signposted before it’s revealed two-thirds in but that’s not really too much of a detriment as it’s the characters and the revealing of the truth, and whether characters will get the comeuppance, that proves to be important.

It’s well acted and shot and the plot holds together, though it does seem insistent on shoe-horning several sex and similar scenes in to try and spice up the film, but it’s an enjoyable, if unremarkable, crime thriller but one where it’s the characters that keep you going.

(7/10)
Read More
Posted in Side Effects | No comments

The Croods (Review)

Posted on 05:52 by Unknown

‘The Croods’ is an animated Dreamworks film that follows the titular caveman family whose ground rules are set by the domineering father. But these rules are soon questioned as daughter Eep meets more intelligent human Guy and they set off on a field trip – through  worlds populated by weird, fantastical creatures – brought about by the impending apocalypse.

‘The Croods’ is a fun enough family-friendly flick but it suffers seriously from over familiarity. The mechanic that the plot is hooked on is the relationship between father and daughter when a new character and potential boyfriend comes in sight which is tested, broken and then rebuilt, a plot that I’ve seen numerous times before. Throw in a regular insistence on being amazed by the CGI, which is no better and worse than other recent films, plus jokes lifted from many other films including ‘Wallace and  Gromit’ (and they weren’t even fresh then); a cast of weird animals and a supposedly funny creature sidekick that attempts to ape ‘Cloudy With A Chance of Meatballs’ but fails; and a cast of characters that is collected from many other places, including ‘Arthur Christmas’ (crazy grandparent figure); ‘The Incredibles’ (Crazy baby, strong mother figure, rebellious daughter) and numerous other films. There’s even an ‘Owl City’ song over the closing credits (which, naturally, feature 2D hand drawn images), like ‘Wreck It Ralph’, which shows Adam Young is attempting to carve out a career in doing them.

There are about three laugh-out-loud moments in the ninety-minute film and a touching, emotional ending but most of the plot points are predictable from the opening ten minutes and even the set-up of the jokes are obvious. I assume it has more appeal for the target audience of children but as an adult I’ve seen it all before.

The last twenty minutes make up for a relatively lacklustre first half but the sense of familiarity is too prevalent and other films have done it so much more better. The CGI and music is fitting but nothing special but it lacks its own hook to really stand on its own two prehistoric feet.

An end credits thanks to Peter Lord and David Sproxton suggests this was the aborted Aardman project from a few years ago before Dreamworks dumped Aardman. A little bit of the Aardman magic would have probably helped this film.


A fun film for the family but we’ve seen it all before. And better.

(4/10)
Read More
Posted in Dreamworks, The Croods | No comments

BUSOM Presents Pride and Prejudice – The Musical (Review)

Posted on 03:38 by Unknown

BUSOM Presents Pride and Prejudice – The Musical
Communal Hall, Student Central, University of Bradford
Saturday 23rd March 2013



It was a shame that I almost didn’t get to see the latest production by BUSOM – Bradford University Society for Operettas and Musicals – as the final evening of the three performances was cancelled at the Theatre In The Mill, shut due to the unseasonably snowy weather. However, a new venue was sourced and whilst the snow had long since stopped going on, the show continued to go on and the cast got ready for the third and final night of the production.

Adapted from the novel by Jane Austen and featuring music and lyrics by Bernard J. Taylor, it tells the story of the Bennet family whose overpowering mother tries to get them married off with a series of suitable and seemingly unsuitable men in the wings ready to meet them, including the famous Mr “Colin Firth” Darcy.

I have very little relationship with the source material. I’ve never seen an adaptation of the book and when recently finding myself] having it to read as part of a book club I gave up after fifty pages, unable to stomach the tedious plotting and rather dated style. Also, the musical was unknown to me, with some other people seeing it initially thinking it had been created by BUSOM. So it was with some reticence I went to see it, not sure if it would be as boring, in my opinion, as the book.

Luckily it wasn’t and the production turned out to be one of the strongest and most professional I’ve seen from BUSOM yet.

Arriving at the new venue in time to hear the company warming up with songs about grey squirrels and the hokey kokey and one cast member in full period garb anachronistically trying to use the Sports Bar cash machine (once again out of order), I ordered myself one of the specially laid on cocktails (“Lydia’s Giggling Orgasm”, the bar had no cream for me to indulge in the slight less dodgily titled “Darcy’s Wet Shirt”). Not as dodgy, though, as someone's spelling of the word 'Prejudice' on the directional signs to the venue!



Entering the venue, decked out with black tabbing to hide the modernity of the games consoles mounted in the room with a two-piece wall unit and various bits of furniture, it was great to see the weather had not deterred many people getting there and the room was packed with people eager to see the performance.

The opening prologue song, built around the famous opening line of the book (“It’s a truth universal”) was a strong opening number for the company and though conversations with the cast before and after had them confessing they felt this production under-rehearsed, it didn’t show in the performance as it was one of the tightest and spot-on performances I’d heard from the group.

We were then quickly introduced to the characters of Mr and Mrs Bennet, Dave Jennings once more bringing his dry humour to proceedings and Emily Bennett, surely born to appear in this role even if she had an extra ‘t’ to contend with, lit up the stage as the mother, perfectly capturing the Hyacinth Bouquet-esque matriarch (at one point even yelling out ‘Elizabeth’) and bringing lots of laughs to the production, and even though the age gap between husband and wife in reality is a fair bit, they never felt like anything less than a husband and wife tolerating each other.



The group struggled a little in the second number (“See him today”) with the music perhaps a little overpowering, drowning out the quieter singers, but this was an issue resolved by the subsequent song (“Five daughters”) with Emily, who has not had such a large role previously, embracing the songs and showcasing some great power in her voice.

It was also about this point that there was the first in a long running unintentional joke of the production as Joel Blakemore, unfortunately absent from the cast list and thus unable to bring his comedic-touches to proceedings in front of the props, regularly had to swap the scenery around to change the room it was supposed to be. This was a tricky procedure that he did, at least, along with the humour of swapping the sign prop around, milk for laughs, so it felt like he was still involved.

The company continued to perform well on the ensemble songs, especially when none of the numbers are familiar to the crowd due to the obscurity of the musical. I wouldn’t say any of the numbers really blew me away as pieces, but they were plot-driven and perky enough with some interesting musical scores, performed throughout almost flawlessly by pianist Colin Fine, who had a lot of numbers to contend with in the production, and the cast handled them perfectly, with no singer really standing out as being unable to tackle the tunes. Much of the first half felt very much like an ensemble piece as no individual cast member had a chance to shine, but that was something that changed come the second act.



It was becoming apparent at this point that a lot of effort had gone into this production. Though the set was minimal, the props were worked in nicely but it was the eye to detail in the clothing and hair that was impressive, with a wide range of costumes and period details well observed, and it’s a thumbs up to whoever sorted that out, alongside the well done choreography in scenes such as the “Assembly Waltz”, the fifth song in the production.

Though much was based around an ensemble there were some strong solo efforts in the first half. Both Naomi Fowler and Helen Bourne as sisters Elizabeth and Jane respectively carried their songs well and Anna Garlick, one of my favourite actors in the BUSOM productions I’ve seen, stole many of the scenes she was in with her giggly and funny take on Lydia, and even though she didn’t have much to play with, made the most of it.

Stuart Sellens soon made his appearance on stage as Mr Bingley (I was assured he would not be offering banking advice in this difficult financial climate) and his regal style of acting fitted the role and newcomer Mikhail Mladenovic brought a good sense of arrogance and aloofness to his role as Mr Darcy.

“Being Here With You” performed by Bourne and Sellens was a strong number followed by some spot-on acting from Alice De Jong and Naomi Fowler, the latter proving to be a worthwhile lead, carrying songs well. Zoe Howe, in a smaller role, also managed to make the most of her part, playing the less-loved sister well, a sort of period Meg from Family Guy. Emelie Ollila also brought more to her role, capturing her character in the production well, plus the soldier collective of Nick Smith, Ben Bell, Alistair Proudman and Andrew Mottram added something, making up for a weaker male side at the start of the production. Anna continued to impress with her giggly and flighty Lydia, getting more to do when acting with Nick Smith, who felt soldier-like in his performance, with Catrina Lodge as Kitty Bennet turning in a good performance.

Dave Jennings’ line from the script “it looks like it might snow” led to a few laughs in the audience – that boat had already sailed – before “No Design On Love” showed Helen Bourne continued to tackle the songs well.

The first act neared its conclusion with more great use of humour; more scene-stealing from Emily Bennett; and a great showcase of Stuart Sellens in the number “Through The Eyes of a Child”. There were a few stumbled lines from Nick Smith and others, but nothing major, and the set continued to bring some wry amusement during the scene changes. Darcy’s “Isn’t It Strange” allowed Mladenovic to make a bigger impression with the audience, with some strong volume behind his singing, and Jon Carter’s first solo song – the questionable “A Woman Who Knows Her Place” by modern standards – was quieter but well sung and as the act came to its conclusion the cast looked firm and strong with Carter and Fowler enjoying some well-acted and comedic scenes due to a failed marriage proposal, bringing the curtain down for the interval, as the audience went off for more themed cocktails.



As the cash machine was out and my money running low I had to do with the less appropriate Strongpecker. Ooh err, but not as much as ooh err as, say, a giggling orgasm.

With some changes of clothing act two began, in what would be a stronger, more enjoyable act than the first half which had started to drag a little, more down to the source material than necessarily anything BUSOM had been doing.

Act two opening number “An Hour in Church” was one of my favourites in the show with both the upper and lower class halves ready for battle, and I learned that lower-class people speak like Cockneys and 19th century posh people purchase Tesco carrots to help out those less fortunate.

Though the act was more enjoyable, some of the cast struggled in the first ten minutes with some stumbling over lines, but songs such as “How I Miss Her” sung well by Dave Jennings made up for it. Poppy Brooks made her debut solo appearance in the production as upper class Lady Catherine De Bourgh and played the stuck up lady with panache.



Nick Smith and Anna Garlick continued to shine as the inappropriate lovers and Mladenovic as Darcy got more to do after a quieter first half for him.

The highlight of the second half was between Darcy and Elizabeth (Fowler) with some powerful and involving acting from them both and allowed them both a chance to prove themselves. There was even time for a cameo of a photo of Colin Firth in a prop and for Alice De Jong to get a solo song, quiet but perfectly done.

Emily Bennett continued to nail the character of the mother and Jon lit up as he read out a letter as the character of Mr Collins, getting some good laughs from the audience. Stuart Sellens once more proved himself to be a great all-rounder, especially with his song ‘Since We Said Goodbye’ and the lead male and female continued to employ a great on-stage relationship.

As the second act came to a close, there was even time for one more quick laugh from Smith and Garlick, the former covered in lipstick kisses, the latter present with a cheeky smile. And with the role calls done, the production finished.



The final night of ‘Pride and Prejudice’ was an event that almost didn’t happen but I’m glad it did. One of the strongest productions I’ve seen by BUSOM with tight, professional singing and only a few stumbles in the early part of the second half. In fact, a mistake by Darcy at the end of the production was well covered by Mladenovic and Bennett, and added to the piece as they showed off their improvising skills when they could have easily fallen apart.

They were hampered a little by the nature of the source material – it’s a musical not well known with no stand out numbers – but it was a surprisingly enjoyable set of songs and much more tolerable than the book in my opinion, plus the change of venue due to the weather didn’t throw them and it all went fine.

With a large focus on the cast as a whole rather than individual performances, they all carried it well and though the story was my least liked of the productions they’ve done this felt like their strongest, most well-rehearsed yet, and balanced the songs, acting and comedy well. Fowler and Mladenovic made a strong lead couple, especially when they had more scenes together in the second half. Bourne and Sellens made a convincing couple and sang well, and Anna Garlick was as impressively comedic and expressive as always. Bennett shone as a great character portrayal of the mother, and Jennings once more provided some dry wit to the production.

Smith was good as the soldier and Lodge, Howe, De Jong and Ollila all made the most of their smaller solo roles, but all worked well as part of the ensemble. Carter brought some good comedy to the role of Mr Collins and Brooks proved to be another good character actor. Proudman, Mottram, Bell, Ntoutsi and Waterhouse also were strong support in the company.

Overall, ‘Pride and Prejudice The Musical’ felt more like an ensemble piece and BUSOM held it together as a company, but where individuals had a chance to shine they did, whether in the roles with a larger solo focus or ones where they only had a few moments to make an impact.

For a musical with no famous songs to hook onto and a plot that can seem a little quaint to base a musical around, it was great and one of the best, if not the best, production I’ve seen from them.

BUSOM return on the 2nd May with ‘Just For Laughs’, in the Escape bar.

(8/10)


Read More
Posted in BUSOM, musical, pride and prejudice, university of bradford | No comments

Thursday, 21 March 2013

Upcoming Singles (Updated 21st March 2013)

Posted on 15:24 by Unknown

This Week

30 Seconds To Mars - Up In The Air
Charlene Soraia - Ghost
Chvrches - Recover
Daytona Lights - Midnight Beach
Deacon Blue – Turn
Frank Turner - Recovery
Jack Savoretti - Not Worthy
Jakwob – Fade
Madeline Peyroux - Changing All Those Changes
Peace – Follow Baby
Sky Ferreira - Everything Is Embarrassing EP

31st March
Andy Burrows – If I Had A Heart
Biffy Clyro - Biblical
Dan Croll – Compliment Your Soul
Frightened Rabbit – Backyard Skulls
Heaven’s Basement – I Am Electric
The XX - Sunset

Unconfirmed
Alison Moyet - When I Was Your Girl
Duke Dumont feat. A*M*E – Need You (100%)
Haim – Falling
Justin Bieber feat. Ludacris - All Around The World
The Killers - Flesh & Bone
New Kids On The Block - Remix (I Like The)
Tom O'Dell - Hold Me

7th April
Angel - The World
Madness - How Can I Tell You
Willy Moon - Get Up (Get What You Need)

Unconfirmed
The Brand New Heavies - Sunlight
The Joy Formidable - Little Blimp
Nina Nesbit - Stay Out
Sub Focus – Endorphins

14th April
Josh Kumra - The Answer
Platnum - Love You Tomorrow

Unconfirmed
Amelia Lily - Party Over
Bat For Lashes - Lilies
Beth Orton - Dawn Chorus
Disclosure - TBC
Gamu - Shake The Room
Rihanna – TBC

21st April
Nicky Romero & Nervo - Like Home

Unconfirmed
Don Broco - Whole Truth
Loveable Rogues - What A Night

28th April
Unconfirmed
Misha B - Here's To Everything (Ooh La La)
Pitbull feat. Christina Aguilera - Feel This Moment
Rihanna - Pour It Up

12th May
Bastille- Laura Palmer
Frank Ocean - Sweet Life

2nd June
Icona Pop feat. Charli XCX - I Love It

Upcoming Singles With Unknown Release Dates
Alicia Keys - Brand New Me
A$ap Rocky - Goldie
Beth Nielsen Chapman - There Is No Darkness
Bruno Mars – When I Was Your Man
Calvin Harris feat. Ellie Goulding – I Need Your Love
Carrie Underwood – Before He Cheats
Cean Bandit – Mozart’s House
Daughter – Still
Dot Rotten – Free
Eric Clapton feat. Chaka Khan – Gotta Get Over
Eric Prydz - Every Day
Everything Everything - Duet
Frank Ocean - Super Rich Kids
Get Cubs – Delilah
Hayden Panettiere – Telescope
Hurts - Blind
Jacob Banks - Worthy
Jake Bugg - Seen It All
Jenn Bostic - Not Yet
Just Blaze X Baauer – Higher
Lauren Wright – Kiss Me
Leddra Chapman – All About You
Little Big Town – Leavin’ In Your Eyes
Lloyd – Do It Again
Love And Theft - Runnin' Out Of Air
Luke Sital Singh - Bottled Up Tight
Maroon 5 – Daylight
Mat Zo and Porter Robinson - Easy
Michael BublĂ© - It’s A Beautiful Day
Miguel - Adorn
Miguel - How Many Drinks
Mallory Knox - Beggars
Mumford and Sons – Whispers In The Dark
Of Monsters And Men - King and Lionheart
Paloma Faith - Black & Blue
Petula Clark - Never Enough
Pitbull feat. Christina Aguilera – Feel This Moment
Propellers – Midnight Kiss
Robbie Williams – Be A Boy
Robert Cray Band - A Memo
Rudimental – Waiting All Night
The Script – If You Could See Me Now
Simple Minds - Broken Glass Park
Skylar Grey feat. Eminem - C'mon Let Me Ride
Steve Mason - Oh My Lord
Taylor Swift - 22 / State Of Grace
Twin Falls - Romancer
We Are Falcon - Second Go
The Weeknd - Twenty Eight
Wild Belle - Keep You
Read More
Posted in new music, new singles, releases, single releases, singles, upcoming singles | No comments
Newer Posts Older Posts Home
Subscribe to: Posts (Atom)

Popular Posts

  • Upcoming Singles (Updated 3rd November 2012)
    Out This Week Christina Aguilera – Your Body Honey Ryder – Worlds Away Joss Stone – Pillow Talk Misha B – Do You Think of Me Rita Ora – Shin...
  • A credible X-Factor track? Sounds like a load of old grime to me
    " X Factor judges to record Children in Need charity song " is the headline about Gary Barlow re-cruiting modern urban stores to r...
  • REVIEW: Take That - Progress Live 2011
    City of Manchester Statium, 10th June 2011 Supported by: The Pet Shop Boys *** Warning: spoilers below. If you're going to the event or ...
  • Upcoming Single Releases (Updated 25th May 2013)
    This week’s single releases 2 Chainz feat. Wiz Khalifa – We Own It (Fast and Furious) Carly Rae Jepsen - Tonight I'm Getting Over You Ch...
  • Daley - Those Who Wait [Album Review]
    Way back in September I went to Bingley Music Live, as covered elsewhere on this blog, and saw a whole load of artists that I subsequently b...
  • Sound of 2012 Part 3 Plus My Favourite Five!
    My look at the final five of the ten of the biggest upcoming artists of 2012… Jamie N Commons – The Preacher With a thick, almost Johnny Cas...
  • Upcoming Single Releases (Updated 1st June 2013)
    This Week’s Single Releases Afrojack feat.  Chris Brown - As Your Friend Barenaked Ladies – Boomerang Bastille - Laura Palmer (EP) French Mo...
  • Upcoming Single Releases (Updated 5th January 2013)
    This Week Bat For Lashes - A Wall Deacon Blue - That's What We Can Do Jessie Ware – If You’re Never Gonna Move Josh Kumra- Waiting For Y...
  • REVIEW: Blondie - Panic of Girls
    1999's 'No Exit' spawned the no. 1 smash 'Maria' and to this day the opening four tracks of Blondie's comeback stick...
  • Upcoming Single Releases (Updated 28th October 2012)
    *** This Week's Single Releases *** Maroon 5 – One More Night Passion Pit - Take A Walk Robbie Williams – Candy The Stranglers - Mercury...

Categories

  • 2012 (2)
  • 3DS (2)
  • 50 Cent (1)
  • A Symphony of British Music (1)
  • A Touch of Cloth (1)
  • achtung gravy (1)
  • adele (3)
  • adverts (1)
  • Agatha Christie (1)
  • Aiden Grimshaw (1)
  • Al Murray (1)
  • Alice Gold (2)
  • All Along The Watchtower (1)
  • Almanac (1)
  • alpocalypse (1)
  • amazon (1)
  • amy winehouse (5)
  • and be done with it (1)
  • apple (2)
  • aqua (4)
  • Aquarium (1)
  • Arthur Christmas (1)
  • asylum of the daleks (1)
  • Athlete (2)
  • avicii (1)
  • BAFTAs (1)
  • batman (2)
  • Battle Born (1)
  • bbc (5)
  • BBC Radio 2 (1)
  • Be A Boy (1)
  • be quiet shout loud (1)
  • Ben Schott (1)
  • Ben Warden (1)
  • best buy (1)
  • beyonce (2)
  • big brother (1)
  • billboard (1)
  • Bingley (2)
  • Bingley Music Live (2)
  • Bite Me (1)
  • black sabbath (1)
  • Bleak Old Shop of Stuff (1)
  • BML (2)
  • Bobby Ball (1)
  • Bomfunk MCs (1)
  • Booth Babe (1)
  • Brad Pitt (1)
  • Bradford (6)
  • Britney Spears (3)
  • Bruce Springsteen (1)
  • Bruno Mars (1)
  • Bula Quo (1)
  • BUSOM (3)
  • Calvin Harris (2)
  • Canary Wharf (1)
  • cancer (1)
  • Candy (1)
  • Catchphrase (1)
  • CD (1)
  • celebrity big brother (2)
  • censoring (1)
  • ceremony (1)
  • CES (1)
  • Charlie Brooker (1)
  • chart (3)
  • Chase and Status (1)
  • Cheryl Cole (1)
  • chippy tea (1)
  • Chris Tarrant (1)
  • christina aguilera (1)
  • Christmas (1)
  • Clement Marfo and the Frontline (1)
  • cliff richard (1)
  • clones (1)
  • closing (1)
  • Closing Ceremony (2)
  • Cloud Atlas (1)
  • Cold War (1)
  • collide (1)
  • concerts (1)
  • Control Is Dead (1)
  • Coraline (1)
  • Core Design (1)
  • Coronation Street (1)
  • Cover Drive (1)
  • Craig Fairbrass (1)
  • Criminal (1)
  • Crust For Life (1)
  • Crystal Dynamics (1)
  • Daft Punk (1)
  • Daley (1)
  • Dan Audio (1)
  • daniel craig (1)
  • darren hayes (2)
  • Dave Gorman (1)
  • Dave Stewart (1)
  • David Bowie (2)
  • Deadmau5 (1)
  • Delilah (1)
  • Delvin (1)
  • Despicable Me (1)
  • Despicable Me 2 (1)
  • Diana Rigg (1)
  • Dick Valentine (3)
  • Dinosaurs on a Spaceship (1)
  • Dionne Bromfield (2)
  • dire straits (1)
  • Disney (1)
  • DJ Earworm (1)
  • Django Unchained (1)
  • Doctor Who (21)
  • don't blow the inheritance (1)
  • Dot Rotten (1)
  • downloads (3)
  • Dreamworks (1)
  • Drinking (1)
  • Driving Lolita (1)
  • E3 (1)
  • EA (1)
  • Ed Sheeran (3)
  • elderly (1)
  • electric six (14)
  • Eliza Doolittle (1)
  • Emeli Sande (1)
  • eminem (1)
  • Euro Hotel (1)
  • Eurovision (1)
  • Evil Cowards (2)
  • F2P (1)
  • fall on your sword (1)
  • Far East Movement (1)
  • Feeder (1)
  • Fibbers (2)
  • Foxes Faux (1)
  • Frankie and Benny's (1)
  • Freddie Mercury (1)
  • Fun Lovin' Criminals (2)
  • gareth gates (1)
  • Gary Barlow (2)
  • George Michael (2)
  • Gerard Way (1)
  • Gerry Anderson (1)
  • Girls Aloud (1)
  • Goldfrapp (1)
  • Google (1)
  • Grand Opera House (1)
  • Green Day (1)
  • Greenwich (1)
  • hard fi (1)
  • Hard-Fi (1)
  • Harry Hill (1)
  • harry potter and the deathly hallows part 2 (1)
  • Have I Got News For You (1)
  • HD (1)
  • he's turned emo (1)
  • Heavy Ball (1)
  • Henry Cavill (1)
  • HMV (1)
  • Honey Ryder (1)
  • HS2 (1)
  • Hurts (1)
  • internet explorer (1)
  • Into Darkness (1)
  • iPad (1)
  • Iron Man (2)
  • Iron Man Three (1)
  • itunes (3)
  • ITV (3)
  • ITV1 (1)
  • jack whitehall (1)
  • James Acaster (1)
  • james bond (2)
  • Jason Mraz (1)
  • Jay Foreham (1)
  • Jay Foreman (1)
  • jay z (1)
  • jay-z (1)
  • jedward (3)
  • jessie j (4)
  • jim davidson (1)
  • JJ Abrams (1)
  • Johnny English Reborn (1)
  • Jon Fratelli (1)
  • Jon Lovitz (1)
  • Jonathan Creek (1)
  • jonathan ross (1)
  • josh brolin (1)
  • Juan Zelada (1)
  • Jubilee (1)
  • Jubilee Concert (1)
  • Just For Laughs (1)
  • justin bieber (3)
  • justin timberlake (2)
  • kaiser chiefs (5)
  • kanye west (2)
  • kate bush (1)
  • Katy Perry (1)
  • Katy Wix (2)
  • Ke$ha (1)
  • Keane (1)
  • keeping up appearances (1)
  • Kelis (1)
  • kelly rowland (3)
  • Kesha (1)
  • Kids In Glass Houses (1)
  • Kindle Fire (1)
  • Kingheadlock (1)
  • kings of leon (1)
  • kirkstall abbey (1)
  • Kirsten Dunst (1)
  • Lady Antebellum (2)
  • lady gaga (3)
  • Lana Del Rey (1)
  • lancashire hotpots (1)
  • Lara Croft (1)
  • Laura Aikman (1)
  • Lee Mack (3)
  • leeds (1)
  • Lego (1)
  • Lego City Undercover (1)
  • Lemar (1)
  • Lenny Henry (1)
  • leona lewis (3)
  • Lickley (1)
  • Life WIthout (1)
  • Lilygreen and Maguire (1)
  • Lincoln (1)
  • Little Inferno (1)
  • little mix (1)
  • live (2)
  • london (2)
  • London 2012 (6)
  • london 2012 olympics opening ceremony (2)
  • London Eye (1)
  • london riots (1)
  • looper (1)
  • louis walsh (2)
  • Luigi (1)
  • Lumberjack Cowboy Heartbreak Trucking Company (1)
  • Madness (1)
  • madonna (1)
  • make a scene (1)
  • Make Bradford British (1)
  • Malware (1)
  • Mama (1)
  • Man of Steel (1)
  • Manchester (1)
  • marina and the diamonds (2)
  • Mario (5)
  • Mark Gatiss (1)
  • maroon 5 (3)
  • Martha Reeves and the Vandellas (1)
  • massive attack (1)
  • Massive Horse (1)
  • Matt Cardle (1)
  • matt smith (4)
  • Maverick Sabre (2)
  • Maximo Park (1)
  • Maxis (1)
  • Me and My Friends (1)
  • Meat Loaf (1)
  • Men in black 3 (1)
  • mercury prize (1)
  • michael jackson (1)
  • Michael McIntyre’s Christmas Comedy Roadshow (1)
  • Mick Hucknall (1)
  • Miles and Erica (1)
  • miles kane (1)
  • Milton Jones (4)
  • MiniDisc (1)
  • Miranda Hart (1)
  • Moby (1)
  • Monopoly (1)
  • Monsters University (1)
  • morrissey (1)
  • moving through security (1)
  • mp3 (1)
  • MSN Messenger (1)
  • Muse (1)
  • music (17)
  • music releases (2)
  • musical (1)
  • Mystery Jets (1)
  • n-dubz (2)
  • National Media Museum (1)
  • Nerina Pallot (1)
  • Nero (2)
  • new music (28)
  • new releases (17)
  • new singles (53)
  • New Super Luigi U (1)
  • New Super Mario Bros 2 (1)
  • New Super Mario Bros U (2)
  • Nexus 7 (1)
  • Nick Clegg (1)
  • nicki minaj (2)
  • Nicola Roberts (1)
  • Night Engine (1)
  • Nintendo (11)
  • Nintendo Land (1)
  • NintendoLand (1)
  • nirvana (1)
  • NMM (1)
  • noel gallagher (5)
  • noel gallagher's high flying birds (1)
  • Noisettes (1)
  • Nørgaard (1)
  • Not Going Out (2)
  • Now You See Me (1)
  • nyan cat (1)
  • oasis (2)
  • OBE (1)
  • Olly Murs (1)
  • olympics (8)
  • one direction (1)
  • OneRepublic (1)
  • Only Connect (1)
  • opening ceremony (2)
  • Oscars (1)
  • Pacific Rim (1)
  • Paloma Faith (1)
  • Pantomime (1)
  • Paralympics (1)
  • Passion Pit (1)
  • paul gasgoine (1)
  • paul mccartney (3)
  • penguin (1)
  • pete townshend (1)
  • Peter Capaldi (2)
  • Peter Stringfellow (1)
  • Philip (1)
  • Pink Floyd (1)
  • Pixar (1)
  • Pixie Lott (1)
  • pj harvey (1)
  • police (2)
  • poppy appeal (1)
  • porn (1)
  • Porter Robinson (1)
  • pride and prejudice (1)
  • Prime Minister (1)
  • Primeval (4)
  • Pulled Apart By Horses (1)
  • Pusha T (1)
  • QI (1)
  • queen (3)
  • Quorndon muffins (1)
  • rain (1)
  • Random Access Memories (1)
  • raspberry pi (3)
  • Ratatouille (1)
  • rebecca black (1)
  • Red Dwarf (1)
  • Red Hot Chili Peppers (1)
  • releases (23)
  • REM (1)
  • Reservoir Dogs (1)
  • ricky gervais (1)
  • rihanna (3)
  • Rob Brydon (1)
  • Robbie Wiliams (2)
  • robbie williams (8)
  • Robert Downey Jr (1)
  • Rolf Harris (1)
  • rolling stones (2)
  • Room on the Broom (1)
  • Rudolf Rocker (1)
  • Sadie and the Hotheads (1)
  • Safe Haven (1)
  • Sally Bretton (2)
  • Sam and Womp (1)
  • Science Museum (1)
  • Scissor Sisters (1)
  • scouting for girls (1)
  • Sean Paul (1)
  • Shepherd's Bush Empire (1)
  • shepley lion (1)
  • Side Effects (1)
  • Sim City (1)
  • simon cowell (1)
  • Simple Plan (1)
  • single releases (44)
  • singles (48)
  • Skindred (1)
  • Skinny Lister (1)
  • skyfall (2)
  • snow patrol (2)
  • Snowdog (1)
  • Snowman (1)
  • sophie ellis-bextor (5)
  • Soup Kitchen (1)
  • Space (1)
  • sparks (1)
  • Spector (3)
  • Spice Girls (1)
  • Spider-man (1)
  • spiderman (1)
  • Splash (1)
  • Spotify (1)
  • staines (1)
  • Star Trek (2)
  • Star Trek Into Darkness (1)
  • State of Error (1)
  • status quo (2)
  • Steel Diver (1)
  • steps (3)
  • Stereo MCs (1)
  • Steve Carrell (1)
  • Steven Moffat (2)
  • Stewart Francis (1)
  • sting (1)
  • Stooshe (1)
  • Streaming (1)
  • street names (1)
  • Strictly Come Dancing (1)
  • Sugarland (1)
  • super hi-vision (1)
  • Super Mario (1)
  • super mario 3d land (1)
  • Super Mario Bros. (1)
  • super mario kart (1)
  • superheroes of suburbia (1)
  • Superman (1)
  • Susan Boyle (1)
  • Swim Deep (1)
  • Swound (1)
  • tablet (1)
  • take that (6)
  • Take The Crown (1)
  • the amazing spider-man (1)
  • the amazing spiderman (1)
  • The Apprentice (1)
  • the automatic (1)
  • The Avengers (1)
  • the baseballs (1)
  • the blue prints (1)
  • The Borrowers (1)
  • The Charlatans (1)
  • The Collective (1)
  • The Coral (1)
  • The Croods (1)
  • the dark knight rises (2)
  • the edge of glory (1)
  • the feeling (3)
  • the future is medieval (1)
  • The Go Team (2)
  • The Hobbit (1)
  • The Hour (1)
  • The Killers (1)
  • the lancashire hotpots (9)
  • The Milk (2)
  • The Mousetrap (1)
  • the name of the Doctor (1)
  • The Only Way Is Essex (1)
  • The Pigeon Detectives (1)
  • The Pirates In An Adventure With Scientists (1)
  • the Pixies (1)
  • The Queen (2)
  • The Royle Family (1)
  • the simpsons (1)
  • The Stranglers (1)
  • The Sunshine Underground (1)
  • The Vaccines (1)
  • the well (1)
  • The Who (2)
  • The Woman In Black (1)
  • the wombats (2)
  • The Wombles (1)
  • The World's End (1)
  • the x factor (9)
  • Thirteen16 (1)
  • Thunderbirds (1)
  • Tim Vine (4)
  • Timmy Mallett (1)
  • Tinchy Stryder (1)
  • Tinie Tempah (1)
  • together we were made (1)
  • Tom Jones (1)
  • Tom Savage and the Hash Mafia (1)
  • Tom Waits (1)
  • Tomb Raider (2)
  • tommy lee jones (1)
  • top 40 (3)
  • Top Cat (1)
  • Top Cat The Movie (1)
  • Top of the Pops (2)
  • Totally Enormous Extinct Dinosaurs (1)
  • Toys That Made Christmas (1)
  • Trains (1)
  • Trance (1)
  • TV Burp (1)
  • Tweenies (1)
  • tyler spencer (1)
  • Ultravox (1)
  • university of bradford (1)
  • upcoming singles (43)
  • Victoria Wood (1)
  • Warm Bodies (1)
  • Watch (2)
  • weather (1)
  • weird al (1)
  • weird al yankovic (1)
  • Welcome To The Punch (1)
  • westlife (1)
  • White Denim (1)
  • White Lies (1)
  • white stripes (1)
  • Wii (2)
  • Wii U (6)
  • WiiU (6)
  • Wil.I.Am (1)
  • wiley (1)
  • will bates (1)
  • will smith (1)
  • Will.I.Am (1)
  • winter flu allowance (1)
  • winter fuel allowance (1)
  • wonderpedia (1)
  • World War Z (1)
  • Wreck It Ralph (1)
  • Wretch 32 (1)
  • x factor (1)
  • X-Factor (2)
  • Yes (1)
  • York (3)
  • York panto (1)
  • York Theatre Royal (1)
  • Young Guns (1)
  • Young The Giant (1)

Blog Archive

  • ▼  2013 (149)
    • ►  August (8)
    • ►  July (13)
    • ►  June (12)
    • ►  May (15)
    • ►  April (15)
    • ▼  March (18)
      • Tomb Raider (Reviewed on PC)
      • Doctor Who - The Bells of Saint John [Review]
      • Trance [Review]
      • Upcoming Singles (Updated 30th March 2013)
      • Welcome To The Punch [Review]
      • Side Effects (Review)
      • The Croods (Review)
      • BUSOM Presents Pride and Prejudice – The Musical (...
      • Upcoming Singles (Updated 21st March 2013)
      • Upcoming Singles (Updated 14th March 2013)
      • Safe Haven [Movie Review]
      • EA’s Building Problems
      • I’m Worried About Justin Bieber
      • Cloud Atlas [Movie Review]
      • Upcoming Single Releases (Updated 9th March 2013)
      • Mama (Film Review)
      • The Woman In Black - Theatre Royal, York, Friday 1...
      • Upcoming Single Releases (Updated 1st March 2013)
    • ►  February (18)
    • ►  January (50)
  • ►  2012 (147)
    • ►  December (13)
    • ►  November (14)
    • ►  October (11)
    • ►  September (13)
    • ►  August (16)
    • ►  July (10)
    • ►  June (19)
    • ►  May (12)
    • ►  April (5)
    • ►  March (8)
    • ►  February (14)
    • ►  January (12)
  • ►  2011 (198)
    • ►  December (23)
    • ►  November (18)
    • ►  October (28)
    • ►  September (22)
    • ►  August (35)
    • ►  July (39)
    • ►  June (33)
  • ►  2010 (6)
    • ►  December (2)
    • ►  November (4)
Powered by Blogger.

About Me

Unknown
View my complete profile