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Saturday, 27 July 2013

Despicable Me 2 [Review]

Posted on 02:58 by Unknown
It’s only recently that I became acquainted with the first film in this story, three years after its original release and I found it to be a charming, fun kids film but without the major laughs of similar films. And it’s pretty much the same for the sequel which sees reformed villain Gru (voiced by Steve Carell) being employed by the Anti-Villain League to find a villain that has stolen a secret formula. Naturally his minions and three adopted daughters come along for the ride, as does Agent Lucy Wilde (voiced by Kristen Wiig) who acts as a clumsy, but well-meaning, love interest.

Considering the Minions have been the most iconic parts of the films and its related merchandise, they don’t seem to have any more screen time in this film than the first and their presences range from the mildly amusing to the feeble, with the film revelling mostly in toilet humour and cringeworthy set-ups. In contrast to, say, the recent ‘Monsters University’ which manages to neatly balance appeal for adults and children – though perhaps not very young children – this is a film purely aimed at the kids and parents will struggle to last the relatively pacey running time.

That’s not to say it’s without its moments. A series of scenes with Gru after discovering Lucy has left the country counterbalances an earlier scene and pastiche of romance films perfectly, and a rogue chicken from the restaurant that forms the centre piece of Gru’s initial search for the villain, provides most of the laughs, alongside a few moments of the Minions. Elsewhere a few smiles are raised but I wouldn’t say it was up to the quality of some of the recent, quality CGI animations. However, there were lots of adults laughing at key points during the film, so perhaps it’s an acquired taste.

Graphically the film stands up and the personalities and unique character modelling make the film. Pharrell Williams’ score is much more minimal this time around and the supporting cast, such as Russell Brand’s Dr. Nefario, get criminally little screen time.

If you loved the first film or are a big fan of the minions then you’ll enjoy this. Very similar in vein to the first film, it’s a nice, family-orientated outing but with its humour that very rarely lifts above fart gags, rude names and sound effects, adults won’t have as good a time as they would do at ‘Monsters University’, ‘How To Train A Dragon’ or such like. There’s plenty of slapstick too, which mostly works.

The plot is never going to be exceptional, but the stereotypes are all in full flow here with very familiar plotting around love and family, and it feels at time like a series of unconnected sketches. As the film reaches its climax and ends with a dance number that has been so often parodied it’s no longer funny. It feels like the film has run out of steam and is having to draw on Rayman’s Ravin’ Rabbids for inspiration. I felt more awkward at the bad dialogue more times than I laughed.

Kristen Wiig, however, steals the show, with her voice acting and I hope to see more from her in the, inevitable, sequel and spin-off.

Not a totally bad film, just a little bit bland and lacking the material to really call it a true film for everyone, but if you’re a big fan of the first film then you’ll love it.


(4/10)
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Upcoming Singles (Updated 27th July 2013)

Posted on 02:34 by Unknown
This Week's Single Releases
Amplify Dot feat. Busta Rhymes - I'm Good
Backstreet Boys – In A World Like This
Big Sean feat Lil Wayne & Jhene Aiko – Beware
Bonnie McKee – American Girl
Britney Spears - Ooh La La
Calvin Harris feat. Ayah Marar - Thinking About You
Clean Bandit – Dust Clears (EP)
Eliza Doolittle - Big When I Was Little
Elton John - Home Again
Emma Stevens – Heart on Hand (EP)
Juicy J feat. Wale & Trey Songz – Bounce It
Justin Timberlake – Take Back The Night
Kelly Rowland – Dirty Laundry
Le Youth – Cool
Lissie – Further Away (Romance Police)
Little Green Cars – My Love Took Me Down To The River To Silence Me
Mario feat. Nicki Minaj – Somebody Else
Mark Morrison – I Am What I Am
Olivia Ruiz – Volver
Placebo - Too Many Friends
Shy FX feat. Liam Bailey – Soon Come

4th Aug
Blitz Kids – Run For Cover
Brookes Brothers feat. Chrom3 – Carry Me On
Charlene Soraia – Broken
Disclosure – F For You
Imagine Dragons – It’s Time
Primal Scream - Invisible City
RESET! – I Need You
Tinie Tempah feat. 2Chainz – Trampoline (EP)

Unconfirmed
Fall Out Boy - Alone Together
Miley Cyrus - We Can't Stop
Noah & The Whale – Lifetime
Rudimental feat. Foxes -  Right Here
Sean Paul - Other Side of Love

11th Aug
Axwell - Center Of The Universe
Booker T feat. Jay James – Broken Heart
Kim Cesarian – Undressed
Ray Foxx feat. Rachel K Collier – Boom Boom (Heartbeat)
The Vaccines – Melody Calling

Unconfirmed
Alice In Chains - Voices
C2C – Happy
DJ Fresh vs Diplo feat. Dominique Young - Earthquake
KT Tunstall - Invisible Empire
Mikky Ekko – Kids (EP)
Naughty Boy feat. Emeli Sande - Lifted
The Wanted – We Own The Night

18th Aug
ANNA MEREDITH - Jet Black Raider EP
Ellie Goulding – Burn
Laura Mvula – She
Matt Cardle and Melanie C – Loving You

Unconfirmed
Dawes - From A Window Seat
Franz Ferdinand – Right Action (EP)
Miguel – Adorn
Miles Kane- Taking Over
Olly Murs - Hey You Beautiful
Sean Paul - Other Side Of Love
Tich – Obsession
Wretch 32 feat. Jacob Banks - Doing OK

25th Aug
Unconfirmed
Bastille - Things We Lost in the Fire
Bo Bruce - The Hands I Hold
John Legend - Made To Love
Little Nikki - Little Nikki Says
Naughty Boy - Think About It
Olly Murs - Right PlaceRight Time
Rizzle Kicks – Lost Generation
Shane Filan - Everything To Me
The 1975 - Sex

1st Sep
Martin Solveig and the Cataracts feat. Kyle – Hey Now

Unconfirmed
Goldfrapp - Drew
London Grammar - Strong
Mutya Keisha Siobhan – Flatline
Neon Jungle - Trouble
Pitbull feat. Danny Mercer - Outta Nowhere
Trinidad James - All Gold Everything

8th Sep
Austin Mahone – What About Love

Unconfirmed
2 Chains feat. Pharrell - Feds Watching
Armin Van Buuren - Beautiful Life
Chvrches – Lies
Cyril Hahn feat. Shy Girls - Perfect Form
Example – All The Wrong Places
Manic Street Preachers - She Me The Wonder
The Other Tribe - My Girl

15th Sep
Unconfirmed
Iggy Azalea - Change Your Life
Jason Derulo - Dirty Talk
Katie Melua – Ketevan

22nd Sep
Jonas Brothers – First Time
Lorde – Royals
Nelly feat. Nicki Minaj and Pharrell - Get Like Me

Unconfirmed
Chase & Status - Count On You

29thSeptember
Unconfirmed
Michael Buble feat. Bryan Adams - After All
Sheryl Crow - Easy

Upcoming Singles With Unknown Release Dates
Fantasia feat. Kelly Rowland – Without Me
Ghostpoet – Cold Win
Texas – Detroit City
Vampire Weekend – Unbelievers
Volcano Choir - Byegone
Within The Ruins – New Holy Wars

Yodelice – Fade Away
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Sunday, 21 July 2013

Only Connect walls

Posted on 05:21 by Unknown
Only Connect is a brilliant quiz show on BBC Four and below I've created two connecting walls from it. Can you solve the walls?



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Saturday, 20 July 2013

The World’s End [Review]

Posted on 13:31 by Unknown
I have a confession to make. Many moons ago I watched ‘Shaun of the Dead’, coming to as a fan of Nick Frost from ‘Danger! 50,000 Volts’ and its sequel, with no knowledge of ‘Spaced’, and didn’t enjoy it. Now, I do plan to watch it again now I’m older to see if I misjudged it, but because of this I was wary of going to see ‘The World’s End’, the new film from the Pegg / Frost / Wright stable. But I’m glad I did as, for the most part, this was one of the funniest films I’ve seen in a while.

‘The World’s End’ tells the story of Gary King (Pegg) who decides to get his childhood friends back together to complete a 12-bar pub crawl that they never completed as young adults. Since those days the gang have left Newton Haven and all grown up, aside from King who only has this to bring meaning to life. He manages to convince his four friends to join him on the crawl but as they make their way around town, things are not as they seem.

‘The World’s End’ is a strong, character-driven film. Though much has been made of Pegg playing a much less likeable character in this piece, he makes the role his own and proves, following his scene-stealing turns in the new ‘Star Trek’ films (arguably the best role in the re-boots), that he certainly has plenty of acting strings to his bow. The four friends joining him – including Nick Frost and Martin Freeman – all embrace the plot well and there are some strong jokes in the opening section involving word play, their history and how chain pubs look similar.

The film’s script really shines and there are plenty of laughs to be had, alongside some well done choreographed fight scenes, especially one with Pegg trying to finish a pint. The characters are well drawn and the past and present all tie together neatly, with enough drama and character development to balance out the comedy.

A third in the sci-fi elements of the plot come into play and these compliment, rather than overshadow, the more down-to-earth character side and with the introduction of Rosamund Pike as ‘Sam’ gains momentum. It’s only as the film reaches its conclusion and its standoff with a higher power that it struggles to match the comedy up with quite a jingoistic shouting match, that feels more at home in a US-made disaster movie than a British effort, though the payoff is surprising and the conclusion, though bleak, does have its moments of continuity, though it does feel like an end that is at odds with the start.

I can’t comment on the film’s ability to fit nicely into the thematic trilogy as I’ve not seen ‘Hot Fuzz’, but as a standalone movie I really enjoyed it. The effects were convincing throughout but it was the humour and character development that really stood out for me, with more laugh-out loud jokes than I’ve seen in a film for a while. The ending feels a little bit awkward before resolving itself but otherwise it was a thoroughly enjoyable comedy, with Pegg and Frost shining throughout, supported by Freeman, Pike, Marsan and Considine.

8/10
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Monsters University [Movie Review]

Posted on 13:04 by Unknown
It’s been a long time since I saw ‘Monsters Inc’, the inspiration for the latest Disney Pixar film, which serves as a prequel to the 2001 film, but I can remember the key points and remember enjoying it as a fifteen year old, more so than the last couple of Pixar films such as ‘Ratatouille’, ‘Cars’ and, I await the backlash, ‘Toy Story 3’, which were decidedly average compared to their own oeuvre, which has always set high standards, but also to an increasingly competent range of animated films released by other houses including ‘Cloudy With a Chance of Meatballs’ and ‘How To Train a Dragon’. Though I haven’t seen ‘Cars 2’ or ‘Brave’ to judge them, ‘Monsters University’ feels like a return to form for Pixar with a film that, though not doing anything massively groundbreaking, is warming, comforting and a pleasure to watch.

The film follows Mike who, following a school trip to what will be his future workplace, decides that he wants to go to Monsters University to learn to be a scarer. So, flash forward many years, and he’s off to the campus to learn his profession where he meets Sullivan as a fellow student and rival. Characters established in ‘Monsters Inc’ appear here, alongside many new faces in a busily populated campus. Mike and Sulley soon find themselves thrown off the course, though, after flunking the semester one exam, and their only hope of return is by winning the Scare Games as part of the uncool frat house ‘OK’.

It goes without saying that ‘Monsters University’ looks lovely, and the technical advancements of a decade can be seen, but I found myself too engrossed in the story to really admire how it looks, but the number of characters populating the campus shows how much grunt the computers can now manage. It’s the story and characters of the prequel that shine, with Mike taking centre stage and becoming a really engaging character, alongside the other five that make up their house, who all get enough development to be cared about. Dean Hardscrabble (voiced by Helen Mirren) is another welcome addition to the cast, as the scary University head, and there’s plenty of foreshadowing for fans of the first film to enjoy.

I wouldn’t really call ‘Monsters University’ a funny film; there weren’t really any moments when I laughed, but it does have its fair share of tension, interesting set-ups and a strong structure, especially when it gets into the area of the Scare Games. The plot itself never strays too far from being predictable for most of the running time, from the familiar set-ups to the knowledge that it’s got to eventually resolve things as set-up for the original film, but there are some excellent set pieces and some moments of suspense and tension that you wouldn’t expect from a children’s film, plus the conclusion isn’t quite how you think it will resolve itself, so perhaps it’s not too much of a path well trodden.

Overall the stars align for this prequel and make it one of the stronger films in Pixar’s growing collection of films. It’s relatively predictable and the plotline overshadows any advancements they make graphically, but it’s the characters and their adventures that really shine here. Throw in another brilliant short film called ‘The Blue Umbrella’ ahead of the movie – rating next to ‘Wreck It Ralph’s’ ‘Paperman’, and this is a film well worth seeing. It definitely held my attention for its considerable running time, but the younger members of the audience I was in saw a lapse in attention, and to me the final quarter is quite dark for a kids film, but resolved in a light and quirky ending montage.

A great film, plus, Claire Wheeler is pretty cute for a CGI character!


(7.5/10)
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Wednesday, 17 July 2013

Upcoming Singles (Updated 17th July 2013)

Posted on 13:36 by Unknown
This Week’s Single Releases
Alunageorge – You Know You Like It (EP)
Andy Burrows – Keep On Moving On
Charlie Brown – Floodgates
Counterparts - Witness
Diana Vickers – Cinderella
Foals – Bad Habit (EP)
Hurts - Somebody To Die For
Jay-Z feat. Justin Timberlake – Holy Grail
Kings of Leon – Supersoaker
Lee Thompson’s Ska Orchestra feat. Bitty Mclean – Fu Man Chu
Nina Nesbitt – Way In The World (EP)
One Direction - Best Song Ever
Professor Green feat. Miles Kane – Are You Getting Enough?
Roll Deep feat. Camille – All or Nothing
Scouting For Girls – Millionaire
Taylor Swift feat. Ed Sheeran - Everything Has Changed
The Weeknd – Belong To The World

28th July
Amplify Dot feat. Busta Rhymes - I'm Good
Britney Spears - Ooh La La
Clean Bandit – Dust Clears (EP)
Eliza Doolittle - Big When I Was Little
Mario feat. Nicki Minaj – Somebody Else
Mark Morrison – I Am What I Am
Olivia Ruiz – Volver
Shy FX feat. Liam Bailey – Soon Come

Unconfirmed
Don Diablo feat. Kelis & Alex Clare - Give it All
Stooshe – My Man My Music

4th Aug
Blitz Kids – Run For Cover
Brookes Brothers feat. Chrom3 – Carry Me On
Charlene Soraia – Broken
Tinie Tempah feat. 2Chainz – Trampoline (EP)

Unconfirmed
Calvin Harris feat. Ayah Marar - Thinking About You
Fall Out Boy - Alone Together
Miley Cyrus - We Can't Stop
Noah & The Whale – Lifetime
Rudimental feat. Foxes - Right Here
Sean Paul - Other Side of Love

11th Aug
Axwell - Center Of The Universe
Kim Cesarian – Undressed
Mikky Ekko – Kids (EP)

Unconfirmed
Bloc Party - The Nextwave Sessions
C2C - Happy

18th Aug
Ellie Goulding – Burn
Matt Cardle and Melanie C – Loving You

Unconfirmed
Dawes - From A Window Seat
Franz Ferdinand – Right Action (EP)
Little Green Cars - Absolute Zero
Miguel - Adorn
Olly Murs - Hey You Beautiful
Tich – Obsession

25th Aug
Unconfirmed
Bastille - Things We Lost in the Fire
Little Nikki - Little Nikki Says
Naughty Boy - Think About It
Rizzle Kicks – Lost Generation

1st Sep
Martin Solveig and the Cataracts feat. Kyle – Hey Now

8th Sep
Austin Mahone – What About Love

Upcoming Singles With Unknown Release Dates
David Nail – Whatever She’s Got
Demi Lovato – Made in the USA
Disclosure – F For You
Fantasia feat. Kelly Rowland – Without Me
Justin Timberlake – Tunnel Vision
Texas – Detroit City
Thomas Rhett – It Goes Like This
Uncle Kracker – Blue Skies

Vampire Weekend – Unbelievers
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Sunday, 14 July 2013

Pacific Rim [Movie Review]

Posted on 10:04 by Unknown
Somewhere in a film commissioner’s office, someone reached over to their movie collection – The Matrix; Iron Man; Godzilla; Power Rangers; and Transformers – and clumsily knocked the DVDs to the floor. As they pick them up in a flurry of apologies they realise that, these five films combined, would make a brilliant spectacle, and thus ‘Pacific Rim’ was born.

A massive tectonic crack has appeared in the Pacific Ocean from which Japanese-movie-staple style giant monsters (Kaiju) start emerging on an increasingly regular basis with a gradually increasing difficulty level, like progression of a video game. As revealed in a brisk opening montage – a really enjoyable potted history of the incidents and the human fight back which is, arguably, more exciting than what we get for the rest of the film and would have made a better first half of the movie – human kind clubs together to create a global set of fighting robots (Jaegers) positioned around the globe, a sort of cross between Thunderbirds and Power Rangers, but without the help of a floating head and a stuttering robot.

Sadly this system isn’t perfect and soon the operation is decommissioned and replaced by a massive wall-building programme of coastal defences which, naturally, proves ineffective and Idris Elba’s moustached Stacker Pentecost (what a brilliant names) has to lead the fight back against more and more difficult to beat creatures using the dregs of what is left of the robot programme, with only a handful of operators ready to man them, including Raleigh Becket (Charlie Hunnam) and Mako Mori (Rinko Kikuchi) who, because the pilots having to ‘mind meld’ to operate the powerful machines, struggles due to childhood trauma involving the large monsters in arguably a pretty scary nightmarish scene from half-way through the movie.

After a promising montage-based opening ‘Pacific Rim’ starts to lose its way. The opening third is exciting and builds a strong universe but, like so many blockbusters we’ve had recently, just descends into CGI battles that lack really any excitement. It feels like a film that would have fitted neatly into the late 1990s apocalypse films. It includes all the tropes expected including Elba’s president-like motivational speech; scenes of martial arts; and am – alleged – comedy sub-plot involving actors Charlie Day, Burn Gorman and a, mostly free of make-up, Ron Perlman, who goes around most of the film looking like a more handsome version of the baddie from ‘Men In Black 3’.

‘Pacific Rim’ does have more brain than some blockbusters and excels mostly when it deals with the human side of the battle, which it does frequently, but it never feels like it’s truly going anywhere. There are some great battle scenes but most are cloaked in darkness and heavy rain, as if we were back again in the 1990s were CGI had to be covered up to make it seem more real. This film, and even TV budgets now, shows it can all be done in day so let’s make it not so dark! And I saw it in 2D, so I dread to think how much viewers could see behind the dark 3D glasses.

‘Pacific Rim’ was an enjoyable film but it never quite lives up to the promise shown in the opening montage. The focus on the human side at parts works and the actors are thoroughly convincing in their roles but the battle scenes eventually become too samey, and the design of the robots and monsters gets lost in the incredibly dark, rain-soaked palette; they look great when in lighter surroundings. The comedy sub-plot doesn’t feel funny enough and so comes across as a little cheesy, but there are some truly well set-up scenes, such as Mako’s memories of seeing a monster as a little girl. For a summer blockbuster it ticks all the boxes and for someone brought up on ‘Independence Day’, ‘Deep Impact’, ‘Godzilla’ and the like as a teenager it feels like comfortable territory, but it could do with a good thirty minutes shaved off its running time. Idris Elba, though, is brilliant in his role and promises good things for future films he is due to appear in.

An interestingly established universe with some great characters and a well rounded look at the world, but one that we spend a little bit too much time in.


(6.5/10)
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Now You See Me [Movie Review]

Posted on 09:44 by Unknown
‘Now You See Me’ tells the story of four magicians (Jesse Eisenberg, Woody Harrelson, Isla Fisher, Dave Franco), each with a different expertise in the wide field of magic, who are invited to the same room via some mystic tarot cards. The film then flashes forward a year where they are selling out shows around the world as ‘The Four Horsemen’, funded by the mysterious Arthur Tressler (Michael Caine). After they seemingly rob a French bank as part of a Las Vegas show, they are investigated by FBI agent Dylan Rhodes (Mark Ruffalo) and Interpol operative (MĂ©lanie Laurent) who are aided by Thaddeus Bradley (Morgan Freeman), a magic debunker.

‘Now You See Me’ plays out as part-conspiracy movie, part-thriller, as the FBI try and keep up with the group of magicians to find out how they are doing the tricks. Feeling at times like a movie version of a ‘Jonathan Creek’ episode, with Freeman’s character playing the Creek role and revealing how tricks are done, much of the film’s early enjoyment comes from finding out how the tricks are undertaken.

But one of the further strengths of the film is in its use of character and plot. The four main magicians also work well as an ensemble and the plot uses these characters and seemingly incidental conversations to weave a complicated, but straight forward to follow, plot where everything that is mentioned is mentioned for a reason, and it all comes together as a satisfying whole at the end, though with one final plot twist demanding a re-viewing of the film to see if the final revelation stacks up, as the revelation does come a little out of left field. At least, though, the ending does fill in most of the gaps and leaves few questions.

‘Now You See Me’ is a thoroughly enjoyable film. Though some of the plot points where the magic is concerned will be familiar to anyone who has seen magic being debunked before, much of it is done very cleverly, and only a few obvious CGI scenes – particularly in the Las Vegas performance area with the crowd and the use of drapes – impact on the realism of the piece. You find yourself caring a lot about the central eight characters who all get their own chance to shine, and never does the film seem to falter or feel like it’s filling time.  

I don’t think ‘Now You See Me’ has had the publicity it deserves which is a shame, as it’s one of the most enjoyable films I’ve seen this year, thanks to its enjoyable magic tricks set up in the opening few minutes and then the grandiose ones through the film; to the set-ups of trickery and lacking of clarity over which characters can be trusted; to moments of great humour. The film finds time to throw in some thriller / cop film tropes in some chase sequences, but these compliment the plot rather than distract from it, and the film remains constantly visually interesting with a range of well shot locations.


8/10
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Thursday, 11 July 2013

Upcoming Single Releases (Updated 11th July 2013)

Posted on 11:43 by Unknown
This Week’s Singles
Agnetha Faltskog - Dance Your Pain Away
A*M*E – Heartless
Avicii - Wake Me Up
Avril Lavigne - Here's To Never Growing Up
Belinda Carlisle – Sun
Blondie feat. Beth Ditto – A Rose By Any Name
Breach – Jack
Chvrches – Gun
Ciara feat. Nicki Minaj – I’m Out
Dirty South and Alesso – City of Dreams
DJ Abdel feat. Mister You – Funk You 2
Ed Drewett – Undefeated
Edwyn Collins - Too Bad (That's Sad)
Gauntlet Hair – Human Nature
Glasvegas - If
J Appiah – I Ain’t Rich... Yet
Katerine – Sexy Cool
K Koke feat. Bridget Kelly – My Time
Lucy Spraggan – Lighthouse
Manic Street Preachers – Rewind The Film
Olympe – Born To Die
Pink feat. Lily Allen - True Love
Rihanna feat. David Guetta - Right Now
The Royal Concept – On Our Way
Selena Gomez – Come and Get It
The XX – Fiction
VV Brown - Samson

21st July
2Chainz feat. Pharrell Williams – Feds Watching
Charlie Brown – Floodgates
Diana Vickers – Cinderella
Hurts - Somebody To Die For
Nina Nesbitt – Way In The World (EP)
One Direction - Best Song Ever
Professor Green feat. Miles Kane – Are You Getting Enough?
Roll Deep feat. Camille – All or Nothing
Scouting For Girls - Millionaire

Unconfirmed
Alunageorge – You Know You Like It (EP)
Amplify Dot feat. Busta Rhymes - I'm Good
Frank Ocean - Sweet Life
Jahmene Douglas - Titanium
Mikky Ekko - Kids
Will.I.Am feat. Miley Cyrus - Fall Down

28th July
Brookes Brothers feat. Chrom3 – Carry Me On
Don Diablo feat. Kelis & Alex Clare - Give it All
Eliza Doolittle - Big When I Was Little
Mark Morrison – I Am What I Am
Olivia Ruiz – Volver
Shy FX feat. Liam Bailey – Soon Come

Unconfirmed
Britney Spears - Ooh La La
Clean Bandit – Dust Clears (EP)
Stooshe – My Man My Music

4th Aug
Blitz Kids – Run For Cover
Charlene Soraia – Broken
Kim Cesarian - Undressed
Martin Solveig and the Cataracts feat. Kyle - Hey Now

Unconfirmed
Calvin Harris feat. Ayah Marar - Thinking About You
Fall Out Boy - Alone Together
Miley Cyrus - We Can't Stop
Noah & The Whale - Lifetime
Tinie Tempah feat. 2Chainz – Trampoline (EP)

11th Aug
Axwell - Center Of The Universe

Unconfirmed
C2C - Happy

18th Aug
Franz Ferdinand – Right Action (EP)

Unconfirmed
Dawes - From A Window Seat
Little Green Cars - Absolute Zero
Miguel - Adorn
Olly Murs - Hey You Beautiful
Tich – Obsession

25th Aug
Unconfirmed
Little Nikki - Little Nikki Says
Naughty Boy - Think About It
Rizzle Kicks – Lost Generation

1st Sep
Austin Mahone – What About Love

Upcoming Singles With Unknown Release Dates
Bonnie Tyler – This Is Gonna Hurt
Cold War Kids – Lost That Easy
Disclosure – F For You
Ellie Goulding -  Burn
Fantasia feat. Kelly Rowland – Without Me
FKI – Me and My Dawgs
Foals – Bad Habit
Hurts – Someone To Die For
Justin Timberlake – Tunnel Vision
Mario feat. Nicki Minaj – Somebody Else
Ms Mr – Think Of You
Noah & The Whale - All Through The Night
Taylor Swift feat. Ed Sheeran - Everything Has Changed
Thomas Rhett – It Goes Like This
Uncle Kracker – Blue Skies

Vampire Weekend – Unbelievers
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Sunday, 7 July 2013

The Lancashire Hotpots, The Lowry, Manchester – 6th July 2013 [Live Review]

Posted on 11:05 by Unknown
Last year I ended up seeing the Hotpots four times in six months because of a variety of circumstances. This year I’ve only seen them once, for their live date in Manchester where they would be recording their first live DVD since 2008, where it was made up of just tracks from their first album aside from a few early previews of their second. Now, with seven albums under their belts, they have a much wider discography to feed from, and it showed in another brilliant, energetic performance.

Composed of two halves and an encore we were treated to a cross section of songs from across their oeuvre, Christmas-album aside. They opened with ‘The Wigan Church of Pies’ from their new album ‘Crust For Life’ and it was a well-judged opener, getting the crowd into the swing of the gig even if they weren’t familiar with the new material, as I was at the time, with Thresher decked out in a bright red robe. The crowd was a mostly older crowd compared to other gigs but the Lowry was almost packed out, though the theatre environment did lead to a more muted crowd, with only a handful choosing to come in flat caps and waistcoats and not too many dancing. But, judging by the laughter and smiles, the Hotpots brand of parody music and brilliant stage banter – especially in the case of Billy McCartney – still grabbed the crowd. Well, certainly more than the Lowry’s drink prices.

Playing for around two hours if the breaks were removed, the setlist was spiced up for the DVD with a representative from OfFolk providing some scripted relief and a wider choice of songs, hopefully all appearing on the Christmas-timed DVD release. They also went through plenty of costume changes related to the songs which was visually great for the audience.

From their first album we got ‘Chippy Tea’ – always a crowd favourite; ‘He’s Turned Emo’ – complete with an emo-ified Little Johnny Green, who has never appeared on the song before, presumably in lieu of ‘Uncle Bernard’ with lyrics that could be dodgy on a DVD; ‘Sat Nav’ – with Bob Wriggles on vocals, making a re-appearance after many, many years and was brilliantly done with the new line-up; ‘Bitter Lager Cider Ale Stout’ – as singable as ever; ‘Shopmobility Scooter’; ‘A Lancashire DJ’; and ‘Me PSP’, cementing a strong appearance from their debut with ‘A Lancashire DJ’ getting the dancing, rather than conga, treatment due to the space, but it didn’t really diminish its appeal.

From ‘Pot Sounds’ we got ‘Keys Wallet Phone’, ‘I Fear Ikea’, ‘CHAV’ and ‘The Beer Olympics’, all strong songs from their catalogue. ‘Criminal Record’ was well represented comparatively with ‘Hardcore Quornography’ making a rare appearance alongside the Pirate Bernard-lead ‘Cinema Smugglers’, and ‘Perks of the Job’.

The most recent albums gave us ‘Hip Meddow’ – a song I don’t like on the album but was brilliant live even if it did cause the crowd to shout out the title for much of the rest of the act; the acoustic version of ‘Cottaging’; ‘I’ll ‘Ave One Wi Ya’; and a welcome appearance from ‘Face Like Thunder’, all from ‘Achtung Gravy’; and from ‘A Hard Day’s Pint’ ‘Let’s Get Leathered’ and ‘The Perfect Pint’.

The new album gave us one song outside of the opener, new single ‘The Baking Song’, plus of course the ‘Bang Bang Thumpy Dance Megamix’, including their own spin on Daft Punk’s recent number one, now entitled ‘Get Leathered’.

In a set focussed more on the classic material it was a shame not to see some more newer material, but in trying to summarise their career in two hours they did a great job, though the absence of ‘I Met A Girl on MySpace’; ‘Ebay Eck’; ‘The Girl From Bargain Booze’; ‘Mek Us A Brew’; and ‘Has Anyone Seen My Dongle’, all brilliant live, was felt, but we can’t have it all.

The Lancashire Hotpots are always at their best when live and this gig was no exception. The crowd was buzzed for their material and the extra new elements thrown in really boosted the gig. The theatre environment wasn’t perhaps the best for the energy of the big numbers, but perfect for a DVD recording, and the new material sat well with their big numbers.

The banter between the members was as addictive as always and the range of tunes expertly played and delivered and it’s difficult to think of a better way to spend a Saturday night than in the company of Bernard, Dickie, Billy, Bob and Kenny.


A quality night out and showing once more the quality and dedication from the band in making an interesting night, and I look forward to the DVD this festive period!
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The Lancashire Hotpots – Crust For Life [Album Review]

Posted on 10:36 by Unknown
The North’s favourite parody folk return with their seventh and, reportedly, final album. ‘Crust For Life’, with its spot-on Iggy Pop-styled cover, is thirty-seven minutes of observational comedy from everything from baking to Pound Land, liquid lunches to putting a tissue through the wash. Which is not something you can say about every album. Plus, with the collector’s edition, you get a t-shirt, badge, signed image, a bonus disc, live downloads and a tea towel. Yes, a tea towel. Result.

Free from the concept album-nature of their 2012 album ‘A Hard Day’s Pint’ the Hotpots have much more opportunity to stretch themselves and give themselves a wider field of parody like from their earlier albums. They also cover a wide range of genre homages, most of which are captured perfectly, from the gospel opening to the boyband-esque closer.

Their strongest album sound and production wise – this is the most varied and professional sounding release from the group yet – ‘Crust For Life’ is a return to form for the group, though arguably their quality hasn’t really dipped much, though the last two albums didn’t quite capture the brilliance of their 2010 album ‘Criminal Record’.

Bouncy opener ‘The Wigan Church of Pies’ continues the band’s ability to create a stonking album opener, following ‘Mek Us A Brew’ and ‘Let’s Get Leathered’. Musically excellent, with a great live sound – and it is brilliant actually live as proven in Manchester last night – this is a perky, gospel-infused opening. This definitely has the feeling of a regular on a best-of-Hotpots playlist.

‘Purple Zone’ is a fun, summer song with lyrics that capture the scenario perfectly, and like their best hits gets its humour from things a lot of us have faced. With a cracking, catchy breakdown at the end that quickly sticks in your head, the performances and instrumentation really capture the mood.

Track three and lead single ‘The Baking Song’ is perhaps a little cruder than we’re used to from the Hotpots – taking themes established in songs like ‘Me PSP’ but cranking them up a fair bit until they’re a little bit too crude for their image – but it’s madly catchy with an adaptation of a traditional arrangement. In fact, the main problem is that you’ll find yourself singing the chorus and forgetting its inappropriateness out of context.

‘It Were A Brilliant Night’ is a jaunty number with some nod backs to other tracks from their back catalogue, at some points treading on familiar ground a little too much. Musically, though, is one of their most accomplished ballads yet but it’s one of the weaker tracks on the album, though the shorter ‘Liquid Lunch’ which follows boasts funnier lyrics and rhyming.

Running up to the half-way point, ‘The Technical Support Song’ is recycled from 2011’s single. This traditional adaptation is another singable entry on the album, though it does drag on a little and doesn’t add much to the original and they’ve had better computer-based parodies.

Bob Wriggles takes on lead-vocals for the next song ‘I’m Going To Poundland’ on another catchy driving tune, chugging along well and quickly singable. With its strong Western theme and backing vocals blended nicely in, this is one of the strongest tracks on the LP. ‘We Love The North’, which follows, boasts a bouncy anthemic chorus but is just a middling track on the piece. But ‘My Wife Is An Ann Summers Rep’, which comes in at track nine, is the sister song to ‘The Baking Song’ and is an uptempo, catchy and witty song with some cracking one-liners. This is another track destined to be part of their best hits.

Accordion-led ‘Wowzers Me Trousers’ sees lead singer Bernard Thresher doing some great yodelling around some more well-observed lyrics. The disappointment in the lack of mention of ‘Chums’ aside, this is a great song and follows into another well-produced Bob Dylan-esque song with some great mouth organ work with more observational humour captured within its four minutes.

‘Crust For Life’ comes to a close with the sound of a charity-record shout out crossed with a boyband ballad, headed up initially by keyboardist Billy McCartney. A brilliantly-pitched sound for a closer, the style is captured perfectly and McCartney just about holds the opening. Soon supported by Bernard Thresher the balance of vocals lifts it up. Just about holding your interest for the five-and-a-half minute running time, this rounds off the album nicely.


‘Crust For Live’ is certainly a strong album to come back with, with a collection of big hitters and some smaller numbers. More varied in subject matter and styles than we’ve had recently, it feels like we’ve gone back to the style of the band’s earlier albums whilst simultaneously having a stronger production sound. At times they feel like they’re covering old ground but this is minor compared to the quality of their lyrics. If this is truly the last album from the Lancashire Hotpots – which would be a real shame – they’ve at least gone out on a high.
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