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Sunday, 28 October 2012

Coraline (Outside Screening in City Park, Bradford)

Posted on 01:41 by Unknown
Having watched the new James Bond film ‘Skyfall’ in the warmth of Cineworld and then warmed up with some pizza with friends, it was time to wrap up warm and head to the outside showing of Coraline in the City Park. A huge inflatable screen – one that came down very quickly as we warmed up after in the Turl’s Green – looked impressive in the park and there was a good turnout considering the cold of the night. Thankfully, there was a stall selling hot chocolate and sweets and was, surprisingly, reasonably priced, though it would be nice if they did it again in summer (contrast of the screen depending) to be able to enjoy a pint with the film, if park regulations allow it.

After several animated shorts (we were late to the party but only saw one, a funny and touching tale about a tiger and its cub in a circus) we got the main film, and it was an experience to watch it live outside even in the temperature. I always forget how weird the film is, especially for a kids film, and wondered how many would be retiring home that night a little bit creeped out by the weird characters, monstrous other-mother and the general surreal feel to the piece. It’s an enjoyable film, though, just rather wacky but fitting in with the hallowe’en theme.

The experience of watching it was good. There could have been more seats to sit on in the park – we had to resort to sitting on the edge of the mirror pool – and the sound was perhaps a little too low, but it was a great experience and one I’m glad I went to and, following on from the garden of light, shows that Bradford Council are doing some interesting things with their new park and I hope this will continue. All they need to do now is convert the Odeon into the entertainments venue proposed and then we’ll truly have a thriving entertainment hub in the form of the park, theatres and food and drink venues.

On the night there was security around to keep the place under control, but there were few distractions considering it was a Saturday night, and there was a good mix of Bradfordians of all ages come to see the film.

Here’s hoping for a repeat at Christmas with a festive film – but perhaps with some more patio heaters!

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Posted in Bradford, Coraline | No comments

Skyfall [Review]

Posted on 01:29 by Unknown
Having missed out on watching ‘Quantum of Solace’ I felt I needed to see the new James Bond film having really enjoyed the 007 reboot ‘Casino Royale’ and finding the new trailer for the latest film one of the best and promising I’ve seen a while, coupled with the positive praise the film is receiving.

And I’m glad I did, as ‘Skyfall’ is one of the best films I’ve seen this year.

The first thing you have to get over when seeing the film is how much of an industry the Bond series has become. Sure, product placement has always been common in the films to help finance all the car chases, explosions and drinks but I’ve never noticed that many of them in the films itself, but ahead of the 143-minute long movie were more adverts featuring Daniel Craig or Bond look-a-likes selling spin-off merchandise for cars, perfume and mobile phones than you would believe, so much so that my friends and I expected Craig to appear in every other advert not themed around the film, like a tuxedo-wearing Samuel L Jackson coming to recruit more customers to the Avengers Initiative of flogging 007 tat or the Blues Brothers telling the cinema audience ‘we’re getting the brand back together – here, buy some stuff’. They did spare us any less high end products like the James Bond oven mit or the 007 wok (“for when you want your Chinese food shaken and stir-fried”) but we could drive like Bond, smell like Bond and even drink bottled beer like Bond, something he avoids in the commercial but does in the film. What next in the franchise? Bond downs some WKD and gets a male vajazzle?

Anyway, forgetting the adverts and we get into the film itself. Opening with a moody blurred shot of Bond in silhouette – a camera technique used throughout the film with lots of battles happening Matrix-esque in silhouette, representing the shadowy forces at work in this film – we see him on the hunt for a missing laptop hard drive containing all the locations of UN agents undercover, naturally something MI6 doesn’t want going walkabouts. What we get is a high-adrenaline pre-credits sequence that really starts the film off well, with an on-form Craig chasing on foot, in a van, on bike and then on a train, with lots of small, inventive sections that really build up the pace, supported by his as-yet un-named assistant and M, played again by Judi Dench, over intercom back in London. The chase is gruelling and Bond proves himself not to be immune from mistakes, but it’s a spectacle to watch especially when it involves a train and a JCB and then a junior assistant who makes a bad mistake and sends Bond to what we assume is a watery grave. Assume, that is, if we thought the film would be over now with the lead man dead.

The opening credits sequence is back to the brilliance of the Casino Royale style opening with elements of Monty Python animation thrown in, fitting Adele’s soundtrack song perfectly and slipping in Bond conventions old and new into the piece with lots of hints of what to come.

I’m going to leave describing the plot there as I don’t want to spoil it for you but, if you’ve seen the trailer you’ll know what key plot points are. ‘Skyfall’ focusses much more on an invisible threat and covers cyberterrorism, two terrorist attacks in London and M’s past coming back to haunt her, with passing references to internet culture. I’m going to say now that you should see the film and if you want to go into the film clean then don’t read any more here as I may cover some mild spoilers.

Still with me? Then let’s look at the keys points of the film. The plot is very involving with many exciting set pieces. It feels, at times, more like M’s film that Bond’s, and she gets a well employed arc through the film. The attack on the MI6 building is short but impacting and Bond’s life away from MI6 summed up neatly, and there is a constant downbeat feel that keeps coming back, how Britain is no longer the power and force it was. There are lots of elements to ‘Skyfall’ and each brings something else to the table and move about so much there is no opportunity to get bored. We get a court-room-esque scene analysing M’s reputation and decision making; Bond’s inability to get back into shape and the effect this has on his role; a casino-based deviation; a thrilling chase sequence through the London Underground, even if the denouement of this is a little abrupt and lacking in impact considering what happens – just let’s say it involves a subway train and I half expected Ken Barlow to appear and go ‘Oh, not again’; and a new underground base for MI6.

There are also plenty of nods to previous instalments in celebrating of the fifty years, including the return of two long-standing characters played by new actors, one of which is Ben Whishaw’s Q, a marvellous interpretation and a character who adds a new element to the Bond formula and plays a key part in the plot, and proves not to be totally infallible. Played a little like a more conventional Sherlock Holmes, he’s a good balance against the brawn of Bond. Plus he has a great tea mug. We also get a retro Bond car, the return of a couple of gadgets (plus a witty line from Q about them) and a return to the one-liners that the series is known for, but they’re not too cheesy as in previous ones. In fact, this film does feel more Bond than the previous Bourne-inspired entries, and they seem to have got the balance right this time.

As the plot progresses the action shifts up to Scotland to the Skyfall estate for the final third of the film, which is quite a tonal shift for a Bond movie and doesn’t quite fit in with the feel, but offers something a little different, leading to a very dark and threatening ending as Bond aims to protect himself and M from the oncoming threat.

One character I haven’t mentioned yet is Javier Bardem as Silva, the main villain of the piece. An expert in cybercrime and a blast from M’s past, his appearance in the film is actually quite late, about half way through, and is a mixed bag. There are moments in the film where his part is played to perfection, in particular the chase through the underground and the reveal of what M’s actions did to him physically in what is quite a gruesome reveal, and he certainly has the menace of Heath Ledger’s Joker, especially in the final third, but he seemed at the start too comical even for a Bond villain, coming across as a mix between Sacha Baron Cohen and Pascale Sauvage from the first ‘Johnny English’ film and knocked back the realism of the film for me a little.

The cast was supported by great turns from Albert Finney as Skyfall gamekeeper Kincade and Ralph Fiennes as Gareth Mallory and as an overall piece was very enjoyable to watch and didn’t feel its lengthy two-and-a-half hours. The plot unfolded well, the new characters – especially Q and Naomie Harris’ Eve – were essential parts to the story and Craig felt much more comfortable in the skin of Bond. The set-pieces, in particular the opening train sequence, the Underground part and the siege of Skyfall, were as epic as we expect from a Bond film and there is an emotional climax, but one that I expected from seeing the trailer. The one thing the film doesn’t have is many surprises. The ending is obvious from the trailer and the outcome seems a waste considering everything they went through in the film, and the wake short and rushed, even if it is punctuated with a neat joke and a couple of revelations.

With its mix of exotic locales and international missions, but with a much larger focus on home soil which makes the threat much closer, and a more realistic threat with computers replacing nuclear warheads and other clichéd Bond villain territory, a theme covered both inside and outside MI6, the shift in locale ticks the box and, like The Joker from the Dark Knight, the threat seems more real for being more grounded.

Overall, ‘Skyfall’ is the best Bond film I’ve seen for sheer adventure, set-pieces and tension and rounds off fifty years of Bond, James Bond, perfectly.

(8.5/10)

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Posted in daniel craig, james bond, skyfall | No comments

Saturday, 27 October 2012

This Week's Single Releases

Posted on 03:46 by Unknown
Single Releases (28th October 2012)

Maroon 5 – One More Night

The second single from their ‘Overexposed’ album is a mixed beast. With a reggae-enthused backing and vocal trickery, it’s a refreshing change in sound for the 5, cementing their move into more commercial territory. That said, it never really develops as a song with the verses and choruses blurring together to form one lengthy element with no distinction or change in pace. The bridge works well with its faster delivery but other than this is never really kicks the pace up, though the chorus does begin to weave into your head. An enjoyable Timbaland-esque tune with a shift in style that suits the band but a style that shows its hand in the first sixty seconds and doesn’t really go anywhere from there. (6/10)

Passion Pit - Take A Walk

Taken from their second album, ‘Take A Walk’ is a simple, but addictive tune, built around a thumping drum pattern resembling the walk and a chilled synth line. Throwing in some nifty guitar work and a story-based lyric sheet that is genuinely enjoyable to follow and listen to, and you get a poppy electronic hit that, though never really building on its initial concept, carries the four minutes perfectly thanks to its driving pace and complimentary elements. (7.5/10)

Robbie Williams – Candy

It might sound like the illegitimate child of the Haribo theme and a nursey rhyme – it lyric-checks ‘Ring-a-ring-a-roses’ as a nod to this – but it’s hard to deny that this is one of the catchiest, perkiest singles of the year. With very singable lyrics and some great brass and string work, it’s an unrelentingly driving pop song with the inability to leave your head once you’ve heard it. It gets a little irritating after many listens thanks to its syrupy peppiness and clean production but this is Robbie’s strongest pop song in years and one of his best of all time. (9/10)

The Stranglers - Mercury Rising

‘Mercury Rising’ showcases a sound I wouldn’t expect from the Stranglers, being much more production heavy than the stripped back sound that I remember. Boasting a memorable keyboard riff, it’s otherwise a little muddy and has echoes of Chicory Tip’s ‘Son Of My Father’ and nods to the country genre. It’s not a groundbreaking single but the guitar solo and chorus lift up the song and, though it’s not the typical Stranglers sound, it really works as a single to sit back and listen to. (7/10)

Totally Enormous Extinct Dinosaurs – Your Love

The seventh single of his ‘Trouble’ album is a little Royksopp in style but a bigger dance focus, ‘Your Love’ is a little bit too ethereal and distant for my tastes and never really grabs you as a song. It’s a harmless chilled out electronic tune but equally doesn’t do anything new for the genre and just fades into the background. (5/10)

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Posted in maroon 5, Passion Pit, Robbie Wiliams, The Stranglers, Totally Enormous Extinct Dinosaurs | No comments

Upcoming Single Releases (Updated 28th October 2012)

Posted on 02:49 by Unknown
*** This Week's Single Releases ***
Maroon 5 – One More Night
Passion Pit - Take A Walk
Robbie Williams – Candy
The Stranglers - Mercury Rising
Totally Enormous Extinct Dinosaurs – Your Love

4th November
Christina Aguilera – Your Body
Misha B – Do You Think of Me
Scouting For Girls – Without You (Naked)
Sub Focus feat. Alpines - Tidal Wave
The Wanted – I Found You

Unconfirmed
Aerosmith- What Could Have Been Love
Elton John V Pnau- Phoenix
Eric Prydz- Every Day
Evanescence- Lost In Paradise
Joe Cocker- Fire It Up
Kid Cudi- Indicud

11th November
Example- Close Enemies
Little Mix – DNA
Usher - Numb
Whitney Houston and R Kelly – I Look To You

Unconfirmed
Green Day- Dos!
Lana Del Rey- Ride
Justin Bieber ft Nicki Minaj- Beauty And A Beat
The Killers- Miss Atomic Bomb
Noisettes- I Want You Back
Rudimental ft John Newman & Alex Clare- Not Giving In
Stooshe- Waterfalls

18th November
Alicia Keys feat. Nicki Minaj – Girl On Fire
Chris Brown- Don't Judge Me
The Vaccines- I Always Knew

Unconfirmed
Daley ft Jessie J- Remember Me
Girls Aloud- Something New
Kelly Clarkson- Catch My Breath
Olly Murs ft Flo Rida- Troublemaker
Rita Ora – Shine Ya Light
Rudimental- Asylum

25th November
Unconfirmed
Bruno Mars- Locked Out Of Heaven
Drake- We'll Be Fine
Ed Sheeran- Give Me Love
Ke$ha – Die Young
Ne-Yo- Forever Now
Pink- Try

2nd December
Unconfirmed
Mumford And Sons- Lover Of The Light

9th December
Unconfirmed
Dappy- Yin Yang

Upcoming Singles With Unknown Release Dates
Amy Macdonald- 4th Of July
Azealia Banks – Esta Noche
The Blackout – Start The Party
Coldplay – Hurts Like Heaven
David Guetta feat. Sia - She Wolf (Falling To Pieces)
Deacon Blue – The Outsiders
Devlin feat. Diane Birch - Rewind
Ellie Goulding – Explosions
Eric Prydz- We Can Mirage
Fun – Carry On
Gossip - Get A Job
Havana Brown feat. Pitbull- We Run The Night
Honey Ryder – Worlds Away
Jeff Lynne - At Last
Jeff Wayne feat. Gary Barlow – Forever Autumn
Jessica Mauboy – Gotcha
Joe McElderry – Rescue Us
Joss Stone – Pillow Talk
Koan Sound - 80s Fitness
Kristina Train – Dark Black
Labrinth – Beneath Your Beautiful
Lemar – The First Time
Lostprophets - Jesus Walks
Madness- My Girl 2
Marina & The Diamonds- How To Be A Heartbreaker
Matchbox Twenty – Put Your Hands Up
Matt Cardle – It’s Only Love
Michel Telo - Ai Si Eu Te Pego
Mick Hucknall – That’s How Strong My Love Is
Nas / Amy Winehouse - Cherry Wine
The Neighbourhood – Female Robbery
Nickelback - Trying Not To Love You
Nicki Minaj – Va Va Voom
Peace – Bloodshake
Polica – Lay Your Cards Out
Red Hot Chili Peppers - The Sunset Sleeps Tonight
Ren Harvieu - Do Right By Me
Richie Sambora – Every Road Leads Home To You
Rudimental – Not Giving In
The Skints - Up Against The Wall Riddim
Stooshe – Waterfalls
Summer City – We Were On A Break
The Killers – Miss Atomic Bomb
Train – Bruises
Two Door Cinema Club - Sun
Tyga ft Chris Brown - For The Fame
Tyler James - Single Tear
We Are The In Crowd – Rumor Mill
Wiley feat. Skepta, JME and Ms D – Can You Hear Me?
Wiz Khalifa - Work Hard, Play Hard
You & Me At Six – Reckless

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Posted in new singles, single releases, singles, upcoming singles | No comments

Sunday, 21 October 2012

The Lancashire Hotpots – The Well, Leeds – Saturday 20th October 2012

Posted on 07:57 by Unknown
Through a variety of circumstances last night was the third time of four this year that I will have seen the Lancashire Hotpots – a comedic folk band who specialise in jokey re-tellings of modern life over traditional folk tunes – in the space of six months. I’d originally planned to see them in Lancaster a few months ago and in York in a few weeks time, but also ended up seeing them at the annual Bingley Music Live that I go to each year and, also, at Leeds last night after a friend at the local community radio station couldn’t make the gig and offered me the tickets. Though coming to see the Hotpots is great and wouldn’t miss it for the world, I’d hate to think I was getting the reputation of being a fanatic rather than a fan!

Aside from this weird working of events where I’m now unintentionally stalking a band, I was glad to see them again after seeing them in Lancaster, which was the best time I’d seen them, thanks to a support act dropping out and us getting a longer set than usual for them, alongside highlights such as the ‘Play Your Cards Right’ opening.

However, that acknowledgement of that gig being the best one I’d seen them at is now null and void as last night’s gig topped it even more. Set inside the Well, a small student-friendly bar with a bottom floor used for live venues, though with a relatively expensive drink price-list, it was full to the brim on the warm Saturday night with a good 50-50 mixture of fans and people new to the Hotpots.

Lacking a support act but making up for it with a massive two-hours of music for just £12, you’d be hard pressed even in a city as big as Leeds to find as much great entertainment for such a long time for such a cheap price. The Rolling Stones may be charging £200+ for a ticket to their gig, but I’d be surprised if they get as much bang for their buck as that.

The set list for the night was almost identical to the Lancaster gig, which isn’t really a problem even with its familiarity, as it was a cracking list of songs. Opener ‘Let’s Get Leathered’ with its crowd-friendly sections got the audience into the atmosphere and the fans sung back throughout the gig and were the most responsive crowd I’d seen to their music, adding to the atmosphere. Though the band had been on top form at both the Lancaster and Bingley gigs, they were more on fire this night with Billy McCartney on the keyboards particularly strong on the night with lots of witty one-liners even if sometimes he got cut off mid-flow by lead singer Bernard at times. There were plenty of running jokes throughout the set, primarily about the ongoing news story about Jimmy Saville, which led to lots of jokes that fitted in rather than seeming awkward, though I’m surprised they did it at a Leeds-based gig, a city he called home for a while.

Second song ‘Bitter, Lager, Cider, Ale, Stout’ continued the drinking theme and the band powered through many of their hits including ‘I Met A Girl On MySpace’ and ‘I Fear Ikea’, complete with a neat reference to my home town of Bradford, all engaging well with the crowd and all strong renditions. Their short joke song ‘Roy’ returned and was extended with three different versions, and though I’ve seen the joke performed several times now it still doesn’t feel old. Personal favourite ‘Ebay Eck’ was next followed by the first of their variety songs ‘Uncle Bernard’, with a changed line to reflect the Saville story, which brought the crowd out in hysterics, alongside the pantomime stylings of Bernard’s ventriloquist puppet, with the best introduction of that character I’ve seen live.

‘Chav’, complete with its YMCA-style dance, was as well received as ever, and the variety antics continued as Pirate Bernard arrived on stage to do ‘Cinema Smugglers’ and ‘The Perfect Pint’, a song that the bassist Bob Wriggles actually made a mistake on, but this led to some good running jokes for the rest of the gig and it went we got a second rendition of what is an enjoyable live hit.

Second percussionist Dickie Ticker took over lead vocals for another personal favourite ‘Has Anyone Seen My Dongle?’, and he certainly camped this up and, like a lot of the performances, was at another level, as was the drumming of Ken Bo who, though taking a back seat in the comedic stakes to the rest of the band – someone give him a mic next time! – was an integral part of the music.

The hits kept on coming with ‘Keys Wallet Phone’ and drinking song ‘I’ll Ave One Wi Yer’, plus another favourite in ‘Kebablishment’, before we got into the dance section of ‘Indie Disco’, ‘Beer Olympics’, ‘He’s Turned Emo’ and ‘A Lancashire DJ’, complete with the musical and crowd-based conga which, though not as much adopted as I’ve seen in other gigs, brought it to life. The main part of the set was brought to an end with ‘Me PSP’ and ‘Chippy Tea’ which were excellent as expected.

Though we lost ‘The Firewall Song’ from the set-list, we did get an extra acoustic song in the encore in the form of ‘Cottaging’, which was very well received, and then a huge triple ending with another personal favourite ‘The Girl From Bargain Booze’, ‘Shopmobility Scooter’ with the ‘Hey Jean’ ending, with a great sing-a-long section for the crowd, and the lengthy ‘Bang Bang Thumpy Megamix’ ending complete with more tongue-in-cheek references to the news, bringing the two-hour gig to an end.

I’m a huge fan of the band and have seen them live many times but this was the best time I’d seen them. They are tight as a band and the set-list now all hits and no misses. Billy McCartney, as one of the newer members, is an asset to the band and brought much of the humour to the gig and helped make it their strongest appearance yet. Scattered between the songs we got lots of topical references to things and, of course, the Hotpots own version of song-of-the-moment ‘Gangnam Style’ dubbed ‘Fish, Chips and Gravy’.

The sound in the venue was also great, though I was at the front so got a good balance between vocals, bass and the percussion of Dickie Ticker, which is usually lost a little in the mix. It’s just a shame that the venue was quite warm and, to quote the band, “sweating more than John Terry and the Notting Hill carnival”.

With a long list of entertaining well-written songs and a big focus on between-song banter and crowd involvement, it’s difficult to find a better amount of entertainment for such a cheap price and for such a long time.

Long live the hotpots!

(9/10)

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Posted in chippy tea, he's turned emo, leeds, the lancashire hotpots, the well | No comments

Evil Cowards – Moving Through Security

Posted on 06:45 by Unknown
And so three years after their first CD “Covered In Gas”, Tyler “Electric Six” Spencer and Will “Fall On Your Sword” Bates release their second album, another mix of Spencer’s witty and off-the-wall lyrics and Bates’ catchy electropop that moves away from E6’s more indie-rock sound. But is their second LP “Moving Through Security” worth a listen?

I have to say that I really enjoyed their first album and, even if the last track was a Monty Python-esque misfire in my opinion, I preferred it as a whole to the comparative release from Electric Six at the time. Full of catchy electronic riffs, tracks such as ‘Soldiers of Satan’, ‘Love Pigs’ and ‘Sex Wars’ were up there with my favourite E6 tunes but I am aware that it did split the opinion of that band’s fan base. I loved it as a fan of commercial electronic music but there were as many people who didn’t like it.

“Moving Through Security’ is perhaps a little more poppy than their debut and, though it doesn’t have as many stand out tracks as the first album, is a successful follow-up and more commercially friendly even if it takes a few listens to really stick there. Opener ‘Fixing Machines’ (I’m going on the order of the physical release, not the mis-labelled digital version) is a powerful opener that echoes the popular Calvin Harris-esque music that is filling the charts, but with perhaps a poppier vibe thanks to its backing chorus. With major echoes of ‘Escape from Ohio’ by the Six thanks to its similar opening line – one of a handful of times on this LP that echoes previous releases, inevitable with Spencer’s recent prolific nature that has seen albums with Electric Six, Evil Cowards and his own solo offering – it’s a fast paced catchy ditty that sets up the album and quickly sticks in your head and sets the poppier nature of the record.

‘Dirty Consuela’ is a darker track and, once you try and forget about the cleaner from Family Guy, and the mentions of ‘Amaretto Sours’ (nicely linking to this year’s corresponding Electric Six live release ‘Absolute Pleasure), hooks you in with its distirted chorus. Not my favourite track on the album due to the chorus being a little irritating with the way the title is sung, but the synth and keyboard line works well and the verses hold up the song and there is some welcome saxophone work.

‘System Overload’ kicks the pace up a little more with a shift in pace between the verses and chorus with a hook-filled chorus that mixes dance and pop nicely. The title track comes next and is one of the highlights of the album, with its fun storytelling and extended metaphors based around the tale. The breaks that scatter through the song including in the chorus really boost the song and, though it takes a few listens, will grab you, thanks to the hooks that permeate through the album.

Title track ‘Moving Through Security’ is the first major highlight of the album and the story-telling side really stands out, and the regular breaks and drop-out create the appeal, especially in the title of the record, and symbolises the poppy nature of the piece. Throw in a great bit of saxophone work and it is a thumbs up from me.

‘Bedford Avenue Wine Distributors’ is the curve ball of the album with only six words in the whole song, sounding like the musical equivalent of Dr. Seuss’ ‘Green Eggs and Ham’. It’s lyrics are, obviously, basic, but they do carry the song with its matching heavy bassy backing. Fans of Daft Punk’s later work will enjoy this but it is an acquired taste.

‘Jerkin’ Each Other Around’, my favourite song on the album, comes in at number six, opening with a poppy female-sung intro that leads into a fun falsetto song and a standardly sung pop tune, that in turn leads to a singable chorus. It’s a song made up of many elements but elements that work well together and is the poppiest number on the record.

‘Optical Day’ is a weaker track on the album with a one-minute long electronic opening. It still boasts some interesting lyrics and the usual multi-layered backings but compared with some of the bigger tracks it’s not quite as enjoyable. The female-led chorus has echoes, along with the title, of Weird Al’s ‘Weasel Stomping Day’ – although that might just be me. It’s still an enjoyable electronic track but not the strongest.

Fan-favourite ‘Dormitory Girls’ comes next. A slower track, with a bigger focus on the story, it drives along nicely with a catchy chorus and a cheeky post-chorus and continues the poppy feel. My second favourite track comes next, in the form of ‘Rich Kids’, with its immediate, autotuned opening and thumping bass backing. The soundtrack to the year’s banking crisis, this is this album’s ‘Soldiers of Satan’ and ‘Sex Wars’ with a similar sound. It has some of the stupidest lyrics on the album but equally it has the best structure and development. With several contenders for the chorus, it’s a track that stops you from losing interest with lots of developments through its three-and-half-minute running time.

After this point, sadly, the album does lose its focus a little. ‘Gravy Train’ continues the mix of electronic and pop stylings but is not particularly interesting outside of its fun keyboard riff and speedy chorus. ‘Military Man’ goes a little seventies with a gruff falsetto line and thrusts a little disco-stylings into the mix but again is just an average tune compared to the highlights of the album.

‘Lazy As Fuck’ is the nearest the album gets to a ballad and is a better tune than what precedes it, thanks mostly to more biting lyrics, but is still lacking the buzz that gave the first two-thirds of the album the buzz.

The album closes on ‘Summer of the Purple Man’, a far better closer than that on “Covered In Gas”. A mid-to-strong ending to the album, it works as a closer with more enjoyable story-based lyrics with a musical-focussed chorus. Not the greatest end to an album but it wraps things up nicely even if the ending is rather abrupt.

“Moving Through Security” is an album that will take a few listens to really stick in and its poppier vibes might sway a few more Electric Six or Fall On Your Sword fans over to this. I really enjoyed their debut album and find that the combination of the two artists’ talents compliment each other and the different direction works. Perhaps not as good as the first album it still has some great highlights. ‘System Overload’, ‘Moving Through Security’, ‘Jerkin’ Each Other Around’ and ‘Rich Kids’ are all great tracks that stand up with anything Electric Six have ever done and the album is rounded off nicely. It does tail off in the final third but this 43-minutes of poppy-electro-dance music is an enjoyable album with plenty of hooks and changes to keep your interest. Well worth a purchase if you enjoyed their debut album and if you didn’t, then the more commercial style of this release might just sway you.

(7/10)

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Posted in Dick Valentine, electric six, Evil Cowards, fall on your sword, moving through security, tyler spencer, will bates | No comments

Saturday, 20 October 2012

Upcoming Single Releases (Updated 20th October 2012)

Posted on 05:44 by Unknown
This weekend
Bastille – Flaws
Jessie Ware - Night Light
JLS – Hottest Girl In The World
Naughty Boy feat. Emile Sande – Wonder
Pnau - Solid Ground
Rick Astley – Superman
The Rolling Stones – Doom and Gloom

28th October
Maroon 5 – One More Night
Passion Pit - Take A Walk
Robbie Williams – Candy
The Stranglers - Mercury Rising
Totally Enormous Extinct Dinosaurs – Your Love Confirmed
Justin Bieber feat. Nicki Minaj - Beauty And A Beat
Paloma Faith - Never Tear Us Apart
Red Hot Chili Peppers - The Sunset Sleeps Tonight
Wiley ft Skepta - Can You Hear Me (Ayayaya)

4th November
Scouting For Girls – Without You (Naked)
The Wanted – I Found You

Unconfirmed
Aerosmith- What Could Have Been Love
Christina Aguilera – Your Body
Elton John V Pnau- Phoenix
Evanescence- Lost In Paradise
Sub Focus feat. Alpines - Tidal Wave

11th November
Usher - Numb
Whitney Houston and R Kelly – I Look To You

Unconfirmed
Green Day- Dos!
Lana Del Rey- Ride
Little Mix – DNA

18th November
Unconfirmed
Alicia Keys feat. Nicki Minaj – Girl On Fire
Daley ft Jessie J- Remember Me
Example – Close Enemies
Olly Murs ft Flo Rida- Troublemaker
Rita Ora – Shine Ya Light
The Vaccines- I Always Knew

25th November
Unconfirmed
Bruno Mars- Locked Out Of Heaven
Drake- We'll Be Fine
Ke$ha – Die Young

2nd December
Unconfirmed
Mumford And Sons- Lover Of The Light

9th December
Unconfirmed
Dappy- Yin Yang

Upcoming Singles With Unknown Release Dates
Amy Macdonald- 4th Of July
Azealia Banks – Esta Noche
The Blackout – Start The Party
David Guetta feat. Sia - She Wolf (Falling To Pieces)
Devlin feat. Diane Birch - Rewind
Ellie Goulding – Explosions
Eric Prydz- We Can Mirage
Gossip - Get A Job
Havana Brown feat. Pitbull- We Run The Night
Honey Ryder – Worlds Away
Jeff Lynne - At Last
Jessica Mauboy - Gotcha
Joss Stone – Pillow Talk
Koan Sound - 80s Fitness
Kristina Train – Dark Black
Lemar – The First Time
Lostprophets - Jesus Walks
Madness- My Girl 2
Marina & The Diamonds- How To Be A Heartbreaker
Matchbox Twenty – Put Your Hands Up
Matt Cardle – It’s Only Love
Michel Telo - Ai Si Eu Te Pego
Mick Hucknall – That’s How Strong My Love Is
Misha B – Do You Think of Me
Nas / Amy Winehouse - Cherry Wine
The Neighbourhood – Female Robbery
Nickelback - Trying Not To Love You
Nicki Minaj – Va Va Voom
Peace – Bloodshake
Pink - Try
Polica – Lay Your Cards Out
Ren Harvieu - Do Right By Me
Richie Sambora – Every Road Leads Home To You
Rudimental – Not Giving In
The Skints - Up Against The Wall Riddim
Stooshe – Waterfalls
Summer City – We Were On A Break
The Killers – Miss Atomic Bomb
Train – Bruises
Tyga ft Chris Brown - For The Fame
Tyler James - Single Tear
We Are The In Crowd – Rumor Mill
While She Sleeps – Our Courage, Our Cancer
Wiley feat. Skepta, JME and Ms D – Can You Hear Me?
Wiz Khalifa - Work Hard, Play Hard
You & Me At Six – Reckless

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Sunday, 14 October 2012

Upcoming Single Releases (Updated 14th October 2012)

Posted on 02:16 by Unknown
Singles released this week
Calvin Harris feat. Florence Welch – Sweet Nothing
Dionne Warwick – Is There Anybody Out There?
Everything Everything – Cough Cough
Josephine – Original Love
Lawson – Standing In The Dark
Pet Shop Boys - Leaving
Rebecca Ferguson - Backtrack

21st October
Bastille – Flaws
Jessie Ware - Night Light
JLS – Hottest Girl In The World
Naughty Boy feat. Emile Sande – Wonder

Unconfirmed
Amy Macdonald- 4th Of July
Devlin feat. Diane Birch - Rewind
Madness- My Girl 2
Tyga ft Chris Brown - For The Fame
Tyler James - Single Tear
You & Me At Six - Reckless

28th October
Maroon 5 – One More Night
Robbie Williams – Candy
The Stranglers - Mercury Rising

Unconfirmed
Justin Bieber feat. Nicki Minaj - Beauty And A Beat
Paloma Faith - Never Tear Us Apart
Passion Pit - Take A Walk
Red Hot Chili Peppers - The Sunset Sleeps Tonight
Wiley ft Skepta - Can You Hear Me (Ayayaya)

4th November
Scouting For Girls – Without You

Unconfirmed
Aerosmith- What Could Have Been Love
Christina Aguilera – Your Body
Elton John V Pnau- Phoenix
Evanescence- Lost In Paradise
Sub Focus feat. Alpines - Tidal Wave
Usher - Numb
The Wanted – I Found You

11th November
Lana Del Rey- Ride

Unconfirmed
Green Day- Dos!

18th November
Unconfirmed
Alicia Keys feat. Nicki Minaj – Girl On Fire
Daley ft Jessie J- Remember Me
Example – Close Enemies
Olly Murs ft Flo Rida- Troublemaker
Rita Ora – Shine Ya Light
The Vaccines- I Always Knew

25th November
Unconfirmed
Bruno Mars- Locked Out Of Heaven
Drake- We'll Be Fine
Ke$ha – Die Young

2nd December
Unconfirmed
Mumford And Sons- Lover Of The Light

9th December
Unconfirmed
Dappy- Ying Yang

Upcoming Singles With Unknown Release Dates
Azealia Banks – Esta Noche
The Blackout – Start The Party
David Guetta feat. Sia - She Wolf (Falling To Pieces)
Ellie Goulding – Explosions
Eric Prydz- We Can Mirage
Gossip - Get A Job
Havana Brown feat. Pitbull- We Run The Night
Honey Ryder – Worlds Away
Jeff Lynne - At Last
Joss Stone – Pillow Talk
Koan Sound - 80s Fitness
Kristina Train – Dark Black
Lemar – The First Time
Lostprophets - Jesus Walks
Marina & The Diamonds- How To Be A Heartbreaker
Matchbox Twenty – Put Your Hands Up
Matt Cardle – It’s Only Love
Michel Telo - Ai Si Eu Te Pego
Mick Hucknall – That’s How Strong My Love Is
Misha B – Do You Think of Me
Nas / Amy Winehouse - Cherry Wine
The Neighbourhood – Female Robbery
Nickelback - Trying Not To Love You
Nicki Minaj – Va Va Voom
Peace – Bloodshake
Pink - Try
Pnau - Solid Ground
Ren Harvieu - Do Right By Me
Richie Sambora – Every Road Leads Home To You
Rick Astley – Superman
Rolling Stones – Doom and Gloom
The Skints - Up Against The Wall Riddim
Totally Enormous Extinct Dinosaurs – Your Love
Train – Bruises
While She Sleeps – Our Courage, Our Cancer
Wiley feat. Skepta, JME and Ms D – Can You Hear Me?
Wiz Khalifa - Work Hard, Play Hard

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Monday, 8 October 2012

Electric Six – Absolute Pleasure (Live Album Review)

Posted on 12:31 by Unknown
And so finally a wish comes true and Electric Six release their first live album since they were known as ‘The Wildbunch’, the low-fi but fun ‘Don’t Be Afraid of the Robot’.

Here we are in 2012 with a seventeen-song-strong album coming in at just over an hour, mixing in the best of their songs from their eight-album career plus a cover.

It’s difficult to take a disliking to the album, kicking off as it does with possibly the best ever album opener ‘It’s Showtime!’, complete here with the full crowd sound that permeates greatly through the record, and really starts the album off. Dick Valentine is in fine voice and the band as tight as you’d hope, and the production is crisp and tracks flow well into each other. ‘Down At McDonnelzzz’ follows, as it does on the original album, and though the slower tempo is not as fun as the faster album track, it sounds better here and the atmosphere of the track comes across, thanks also to the crowd chanting along too.

‘Danger! High Voltage’ follows and is, once more, excellently performed and recorded, with the Monifah extra section included for good measure. The band then rattle through loads of their big songs, from ‘Future Is In The Future’, including the extended middle and another funny monologue about Percussion World, the drummer, and ‘Dirty Ball’ with the additional drum solo in the middle that is captured well on the record.

‘When I Get To The Green Building’ slows the pace down a little and then we get crowd favourite ‘Gay Bar’, with the extended middle guitar section making a return after a few tours of absence. ‘Infected Girls’, a less common live track, is refreshing to hear with its thick guitar track and personal favourite ‘Jam It In The Hole’ takes the album version and breathes a little more life into it. We then get ‘Fire’ classic ‘She’s White’, more recent hit ‘Body Shot’ and one of their best tracks ‘Dance Epidemic’, all captured brilliantly. ‘I Buy The Drugs’ and ‘Hello! I See You!’ wrap the album up nicely before we get a three-song encore in the form of a catchy cover of the Osmonds hit ‘Crazy Horses’, ‘Dance Commander’ and ‘Synthesizer’, with the words ‘absolute pleasure’ rounding off the record.

I am a fan of Electric Six and have waited years for a live album but it is difficult to find fault with the collection. The big hits are all there, the band are on top form, and the vocals sound great. The mix, to my ears, is clear with elements that often get lost when hearing them live audible. The only problem really comes from knowing about the original announcement and how it was originally to be a two-disc compilation with the entire of ‘Fire’ on one side and the best of the rest on the other, and this shortened and shuffled version doesn’t quite capture the feel of a live gig. Aside from missing some great tunes off that were recorded – personally ‘Electric Demons (In Love)’ and ‘Germans In Mexico’ are disappointing omissions, especially with twenty minutes left on the CD – the re-jigging loses a lot of Valentine’s funny song interludes. Whether he didn’t do as many or they had to be altered to make the new album listing make sense I don’t know, but the small amount of between song banter is a shame, with only the break in ‘Future Is In The Future’ offering a glimpse into this side of a live E6 experience.

But, any live album is better than none, and if you’re a fan of the band or even just familiar with their big 2003 hits, there is much to enjoy here from a well-produced and delivered live album that covers all the big hits and some lesser known ones. It’s difficult to listen to the album without a smile coming over your face. Easily a 9 out of 10 collection but could well have been, as a double-album, a 10 out of 10.

I’ve seen E6 live many times and this CD captures the magic very well and I’m glad they’ve finally done a live CD.

An absolute pleasure? Oh yes.

9/10

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Sunday, 7 October 2012

Looper [Movie Review]

Posted on 07:21 by Unknown
Labelled on the posters as this decade’s answer to ‘The Matrix’, ‘Looper’ stars ‘The Dark Knight Rises’ Joseph Gordon-Levitt and action man Bruce Willis as two generations of the same character. Thirty years in the future Joe (Gordon-Levitt) is a looper, a person hired to assassinate people sent back from the future another thirty years ahead when time travel has been invented and bodies hard to dispose of. A looper’s job is to receive the hooded and clocked person, shoot them with their blunderbuss gun, and dispose of the body, getting rewarded for their work with silver bars that can be converted in a bureau-de-change into real cash.

However, eventually in the life of a looper, their future self is sent back to cover up their crimes with a golden payout but the knowledge that in thirty years they will be dead. This happens to Joe as his future self comes back but he fails to kill him and thus begins a cat and mouse game as both are on the run from the organisation.

‘Looper’ is full of fantastic concepts, not least the one outlined above. There is a sub-plot about telekinesis that works well, and the futuristic environment is well created in CGI, from the buildings, to vehicles to the sci-fi conventions of screens and adverts etc. Sure, I don’t think cities will have so much new construction in thirty years but it feels right. The whole world is well created with a gritty, realistic feel and a big sense of them and us, from the high-flying drug-taking life of the wealthy loopers, to the poorer end of the community with patched-up cars, living lives out of trolleys. Gun crime is rife in this world, a world that looks futuristic but without being unrealistically futuristic.

The first half of the film is where it excels. Gordon-Levitt is captivating on screen as Joe, with make-up and prosthetics on to bridge the gap between him and an older Bruce Willis. Some have commented on the distracting nature of these effects but, to be honest, I didn’t notice them, other than they had a neat similarity between them. The time-lapse, though quick, where the two actors change from one to the other is well done. Willis has lots of fun as Joe’s older self and, alongside Jeff Daniels as Abe – my favourite in the film – there is a lot of humour employed amongst the darker side of the story, from a great scene involving a looper and a spinning gun to one where the loopers chase Willis with Gordon-Levitt, only to turn on the latter when they realise what’s happening, to many scenes shared between Gordon-Levitt and Willis that highlight their similar personalities separated by thirty years.

And the humour does compliment the darkness well. We have a looper that fails to kill his victim and is thus is slowly surgically worked on, removing his fingers and legs, nose and more, changes that immediately reflect on his future self, a grotesque but well realised transformation. There are characters working in strip joints; characters addicted to drugs; and characters that are willing to shoot somebody with a click of the fingers.

You may be thinking from reading this so far that I agree with the reviews, that the film is brilliantly. However, though there are some great concepts and the first half of the film is great, establishing the world, characters and concepts with precision, the second half goes awry. There is a scene half-way through where two new characters are introduced, characters that set the direction of the film, that feels in the cinema like they’ve just missed out something, like the jump cut is too major and it is really disorientating and takes about fifteen minutes to get back on track. It is where we are introduced to a character in the future who is destroying the world and how he can be stopped, which is the direction the film takes from now on. Here we find concepts introduced earlier, such as the telekinesis returning, but the way they are used, to me, felt confusing, rushed and appearing out of the blue, and not gelling with the rest of the film. After establishing Willis as a credible older Joe, with emotional reasons why he is how he is, his character flips to a killing machine and one that doesn’t sit right with what we’ve learnt, as well as a character who seems to be able to brush off bullets and avoid gunfire whilst killing everyone else, a cliché that is often employed but sits awkwardly in this film after what it has established and so much realism set up.

The ending also feels rushed. Emily Blunt as Sara encounters a young Joe and is very wary of him but within a couple of days suddenly changes from a hard-faced country-living woman used to living on her own who has seen a lot of things to someone who, in a shoe-horned in section, invites young Joe in for sex rather than, er, doing the job herself as is implied. The ending plot line and twist makes sense but seems forced and comes to quickly and we don’t see enough about how Joe old and Joe young react to it.

‘Looper’ is an interesting film and establishes some fantastic, involving concepts in a future that looks realistic but also well set up with its CGI and landscapes. The first hour is a delight to watch with much humour, darkness and great sci-fi scenes that all blend well, brought to life by the characters. But then, in the second half, it’s as if they got bored and it goes all too rushed, unrealistic and losing the focus, throwing the audience in a bad way out of the universe it created. It felt like two different films accidentally glued together by an uninterested projectionist. The same film that establishes the character name of Beatrix which is used in a neat twist and loads of other great and exciting concepts doesn’t seem the same one that introduces a character straight out of the Exorcist and turning Joe into some sort of impenetrable fighter.

Not a bad film and I’m glad it saw it, but certainly not a strong film as ‘The Matrix’ that it’s being compared to. (5/10)

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Saturday, 6 October 2012

Upcoming Singles (Updated 6th October 2012)

Posted on 12:30 by Unknown
Here is my updated list of the singles soon to be replaced.

This Week
Adele – Skyfall
AlunaGeorge – Your Drums, Your Love
Angel Haze – New York
Conor Maynard feat. Ne-Yo – Turn Around
Dog Is Dead – Talk Through The Night
Keane- Disconnected
Leona Lewis feat. Childish Gambino – Trouble
Linkin Park - Lost In The Echo
Swedish House Mafia feat. John Martin - Don't You Worry Child

14th October
Calvin Harris feat. Florence Welch – Sweet Nothing
Everything Everything – Cough Cough
Josephine – Original Love
Lawson – Standing In The Dark
Pet Shop Boys - Leaving
Rebecca Ferguson - Backtrack

Unconfirmed
Charlotte Church - One EP
Marina & The Diamonds- How To Be A Heartbreaker
Michel Telo - Ai Si Eu Te Pego

21st October
Bastille – Flaws
Jessie Ware - Night Light
Naughty Boy feat. Emile Sande – Wonder
Tyler James - Single Tear

Unconfirmed
Amy Macdonald- 4th Of July
Devlin feat. Diane Birch - Rewind
JLS – Hottest Girl In The World
Tyga ft Chris Brown - For The Fame
You & Me At Six - Reckless

28th October
Unconfirmed
Justin Bieber feat. Nicki Minaj - Beauty And A Beat
Red Hot Chili Peppers - The Sunset Sleeps Tonight
Robbie Williams - Candy

4th November
Unconfirmed
Christina Aguilera – Your Body
Elton John V Pnau- Phoenix
Sub Focus feat. Alpines - Tidal Wave
Usher - Numb
The Wanted – I Found You

11th November
Unconfirmed
Green Day - Dos!

18th November
Unconfirmed
Alicia Keys feat. Nicki Minaj – Girl On Fire
Example – Close Enemies
Rita Ora – Shine Ya Light

25th November
Unconfirmed
Ke$ha – Die Young

Upcoming Singles With Unknown Release Dates
Aerosmith - TBC
Azealia Banks – Esta Noche
The Blackout – Start The Party
David Guetta feat. Sia - She Wolf (Falling To Pieces)
Dionne Warwick – Is There Anybody Out There?
Drake feat. Rick Ross - Lord Knows
Ellie Goulding – Explosions
Elton John ft Pnau - Foreign Fields
Eric Prydz- We Can Mirage
Flo Rida – I Cry
The Gaslight Anthem – Here Comes My Man
Gossip - Get A Job
Havana Brown feat. Pitbull- We Run The Night
Honey Ryder – Worlds Away
Jeff Lynne - At Last
King Charles - Bam Bam
Koan Sound - 80s Fitness
Lemar – The First Time
Lostprophets - Jesus Walks
Maroon 5 – One More Night
Mick Hucknall – That’s How Strong My Love Is
Misha B – Do You Think of Me
Nas / Amy Winehouse - Cherry Wine
The Neighbourhood – Female Robbery
Nickelback - Trying Not To Love You
Nicki Minaj – Va Va Voom
Peace - Bloodshake
Pnau - Solid Ground
Ren Harvieu - Do Right By Me
Richie Sambora – Every Road Leads Home To You
The Skints - Up Against The Wall Riddim
Totally Enormous Extinct Dinosaurs – Your Love
Train – Bruises
While She Sleeps – Our Courage, Our Cancer
Wiley feat. Skepta, JME and Ms D – Can You Hear Me?
Wiz Khalifa - Work Hard, Play Hard

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