Phil’s Adventures with his Raspberry Pi: Part Three

Following part one of my story - http://it-is-phil-time.blogspot.com/2012/06/phils-adventures-with-his-raspberry-pi.html - and part two - http://it-is-phil-time.blogspot.com/2012/06/phils-adventures-with-his-raspberry-pi_04.html - it’s time to pick up the story.

Having failed to successfully connect my Raspberry Pi up to a standard VGA monitor, which is very disappointing, and then having purchased an adaptor that failed to work (thankfully Amazon have refunded me) I have dived into the deep end and purchased a cheap – but still £120 – monitor that accepts a HDMI input and – voila – I now have a monitor that accepts the signal of the Raspberry Pi and works in my parent’s music room. Problem overcome even at a financial cost of four times what I paid for the computer.

To bring everyone up to speed my plan is to replace my parent’s aging PC in the music room with this to play out music quickly and easily. Sadly at the moment it’s turning out to be neither. I am still waiting for the Pi case I ordered a few weeks ago which is now in the processing stage so hopefully should be here soon but I have come across an even bigger problem: I can’t get any sound of it.

I’ve tried playing both MP3s and WAVs through its inbuilt LX Music player, both from files on an external hard drive, USB stick and the SD card itself but all to no avail. I’m not getting any sound out of the HDMI – though I don’t think the monitor has speakers so that’s not surprising – but neither am I getting it out of the 3.5mm jack port into my stereo.

Now it’s a cheap computer and I’m no expert in this side of computing but it’s frustrating me that six weeks on its been nothing but a struggle to get images and sound out of the device, which is surely the very basics you’d expect from a computer. I fear that it’s just too problematic compared to the BBC Micro and Acorn computers I used as a youngster and I question whether it’s really the platform to be a good starting point for young people hoping to get into the world of computer programming. Or maybe I’m missing the point and all these struggles are actually a realistic recreation of the world of software development?

If anyone can point me in the right direction of where I’m going wrong regarding the lack of sound output I’d be very grateful. In the meantime I shall soldier on with trying to get it to work in a project that has turned from potential to frustrating disappointment...

Help please!

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Cofilmic Films: My Thoughts

Today Liam and myself headed to the Cofilmic event at the Gumption Centre which was an interesting six hour event where we saw some interesting improvisation, heard some poetry and scripts acted out, and heard from people involved in the comedy world, as well as having the chance to ask questions and hobnob and get some good contacts for learning more about the art of scriptwriting. Oh, and some Southern Comfort. We also got to see a selection of films that have won competitions or been nominated. But which were the best in my opinion? Coffee

A very short sketch but a great way to start the film showing as the joke is a very good twist on a familiar scene often seen in sitcoms and other shows. (8/10) Truth Prism

Both mine and Liam’s favourite film don’t let its boring title put you off. This spoof documentary is up there with ‘Look Around You’ in the humour stakes and was the only film to have everyone in the audience laughing all the way through. Very well put together with some good pay-offs. (9/10) Publishing A Piece

A short piece and one that doesn’t show off how funny it’ll become in the first thirty seconds. The reader’s face after his final guess in the main sequence is corking as the camera holds on him and it’s a brilliant piece of delivery from both leads. (8/10) We Are What We Drink

A beautifully shot and composed film with a great pay-off line but the direction it was going in was obvious as soon as the customers enter the coffee shop and the ending is disappointing as it just repeats the joke and I wanted retribution for the lead, but the concept is great and well-acted by all involved. (7/10) Boxed

A pilot for a sitcom I’d want to watch, it’s a little bit scattergun in the first half with a series of scenes that sometimes don’t connect but the final half is fun and the main two characters are well drawn, with some funny scenes. (6/10) Ball Street

One of my least favourites, the South Park animation style has its moments and there are some funny surreal sections based around Philip the cat but overall it’s a little bit uneven for my liking, but if you like your animation wacky and off the wall then you’ll enjoy this. (5/10) The Bronte Sisters

A film that is better than you first think with some Two Ronnies style misheard words, the ending isn’t a particular fun payoff but the explanations behind the weird titles are great with some memorable moments from the ‘moor’ bits to Anne’s head. (6/10) Buzz Dish

Another sitcom pilot, featuring Dave Spikey, the co-writer, in a small role, certainly has a range of interesting characters and set-ups with some good funny moments but it does, until nearer the end, seem like a collection of unconnected sketches shoe-horned together. (5/10) The Office Orphan

A great premise and well-acted and shot with a neat end, but not as overtly funny as many of the other pieces. (6/10)

Sadly my scripts didn’t get into the top three of the competition but there’s certainly inspiration above to help me improve my own writing!

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Muse – Survival [Official London 2012 Olympics Song]

Having finally created a song that doesn’t make some sort of titular reference to space travel or something that would make Brian Cox have a hot flush like their songs were co-written with Patrick Moore (sadly forgetting his xylophone) Devon band Muse have released the official song for this summer’s Olympics, happily on the same day as it got its first radio play, perhaps suggesting that record labels are learning their lessons after the recent sound-a-like songs invading the charts.

If you’re expecting a song that doesn’t sound like a sister track to anything the band have done since ‘Black Holes and Revelations’ then you’ll be disappointed as the familiar sound of throbbing guitars and galaxian soundscapes are all present and correct and though this epic feeling isn’t necessary a bad thing there is a certain sense of familiarity around it.

Matt Bellamy and the lads do seem like they are channelling numerous musicians for this piece though with the Feeling-esque opening backed by the Oompah-Loompah crowd from the Charlie and Chocolate Factory film before giving a nod to the Scissor Sisters and ‘I Don’t Feel Like Dancing’ before going all Queen on us with an ‘Innuendo’ style feel for much of the song before a gentle nod to ‘Bicycle Race’ as if Freddie wanted to come back for a second stab after enjoying ‘Barcelona’ so much.

We also get some male chanting, female backings and calls to ‘fight’. Fitting for an Olympics set in London.

Lyrically it’s very much a Muse track with their familiar sound and writing style but with key Olympian words thrown in for good measure, in the same manner that every singer leaving a boyband for a solo career has to drop in the obligatory word for freedom or fresh start in among the word sheet.

It’s a brooding, dark track that doesn’t particularly strike me as being particularly sporty. I can hear it to be the soundtrack of the England football penalties with its sense of foreboding but not so much an English athlete heading for the finish line of the 400m relay.

In conclusion ‘Survival’ is so Muse you might as well just listen back to ‘Neutron Star Collision’ and imagine Michael Phelps instead of scenes from the Twilight movies, which coincidentally what I was doing whilst watching the films. It’s not an unenjoyable track but it feels like two songs badly welded together like a sub-par javelin and doesn’t really make me feel patriotic or particular excited about the Olympics. I just can’t picture it playing over replays of footage and sounding good but we’ll see.

OK, but not Olympic. 6/10

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Jessie J vs Loomis and the Lust in copyright claim

Now I'm always a little dubious about these cases where an artist says that a recent massive hit sounds very similar to their track and sue the artist for a considerably large sum, especially after ones like the claim aimed at Coldplay not so long ago that was a tad tenuous. The latest one is this track: The artist has said it bears a resembled to Jessie J's recent (well, year old) hit 'Domino' and you can hear some similarities in the length of lines and the way they are sung in the verse and a little bit in the chorus but I think there's enough difference to make them independent. 'Domino' is a faster song with less gap between the lines, and after all there are only so many notes so there is bound to be tracks that share characteristics. But, equally, there is a certain similarity, more so than the Coldplay one. And, as someone points out in the comments, the bass is similar to Brendan's 'Gimme Some' so maybe they'll be suing Loomis and the Lust. Listen to Jessie J's song below and let us know whether you think there's a claim...

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Update: The Rise Of The Cash-in Cover Song

A couple of months ago I wrote this blog piece for All Noise about the rise of sound-a-like songs released on music download sites and what it could mean for customers - http://all-noise.co.uk/2012/04/25/the-rise-of-the-cash-in-cover-song/.

And this week an article appeared on the internet about how just such a sound-a-like is set to chart inside the top ten this Sunday as people have been downloading the track either to get a copy of the song or thinking it is in fact the actual release: http://www.digitalspy.co.uk/music/news/a387429/fake-maroon-5-payphone-song-may-reach-singles-top-ten-on-sunday.html.

Various comments under the article cement my thoughts that these type of songs are catching people out:

"I am really really annoyed by this. I downloaded the cover version believing it to be the Maroon 5 version. I have never heard of this before - I will be sure to double check before downloading in the future! Why are iTunes allowing these covers to be purchased???" says Ellie Thomas.

A key element of my article is also repeated by Rebecca Tedder:

"This is something I have said for a long time. From the first radio airing it should be available to download. They can still do the pre-release interviews and hype but if they want to stop/cut cover-versions or illegal downloads, then this is the obvious thing to do. If I hear something on the radio and really like it, I would probably buy it sooner rather than later"

Something needs to be done to tackle these cash-in covers for the protection of consumers and ensuring the band's get the royalties they deserve, though as someone points out on the blog, will anything change as the songwriters will get cash for the cover then for the original when consumers realise their mistake...

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Has The Tomb Raider Series Lost Its Way?

In a big coo of publicity for upcoming ‘Tomb Raider’ prequel ‘Crossroads’, or whatever it will be called (surely not that, unless it features bad acting and wobbly sets) has been all over the news (for instance see http://www.independent.co.uk/life-style/gadgets-and-tech/gaming/crystal-dynamics-release-tomb-raider-rape-clarification-statement-7854068.html as one of many examples) after it was suggested on one website that Lara, seen in the game as a young inexperienced adventurer before all her big adventures, is threatened with rape before escaping which helps build her into the balls-to-the-wall Tomb Raider we know her as later. Now it seems to be coming out that this isn’t the case and the words of the website were ill chosen, but this aside has the series of video games, like Lara in a maze of tunnels and passage-ways leading to a room of treasure, lots its way?

I have played ‘Tomb Raider’ since the original 1996 game, and have played each entry in the series on one format or another aside from the handheld ones and have to say that none of the games have truly captured the magic of the series after Core Design lost the franchise after ‘The Angel of Darkness’ that was, yes, difficult to play control-wise but certainly more interesting than what has come after.

Though each game has improved ten-fold with the graphics and scope, in my opinion the heart of the games have gone. On both ‘Legend’ and ‘Underworld’ out has gone the exploration, the puzzle-solving and the general wonder and in has come a more gun-toting focus and a lack of magic. Even the original game re-imagined under the banner of ‘Anniversary’ was only good in seeing the original areas rendered in modern graphics.

Sure there may be a level of rose-tinted glasses here with games you grew up with always having a special place in your heart, and re-playing the originals now is a pain on the eyes due to the swift advancement in graphics, but I just don’t enjoy the Crystal Dynamics-created games as much as the old ones and I think it shows with their confusing plotting.

The original six games – 1, 2, 3, The Last Revelation, Chronicles and Angel of Darkness – all had the same continual storyline and built on the mythology but since then thanks to the reboot, the two movies and now another reboot coming next year, Lara’s past and upbringing is now muddy than the tombs she visits. It’s almost as if they’re stumbling blindly from one game to another to see what works and not, meanwhile dragging the once respected franchise down.

One classic example is about her parents. Did they die in a plane crash which led to her becoming the Tomb Raider? Or was her father alive like in the film and the later games? Or was her mother whisked away by supernatural forces to Avalon?

Did she become a Tomb Raider under the privileged tuition of Vernon Von Croy or because she had to learn to survive by being stranded on an island? I just don’t know any more.

And how can the original Natla-based story fit both the plot continuity of the original six games and the newer three games? Am I just being anal in trying to establish a continuity into a game series pulled apart and confused, like people trying to rationalise the actor changes of the James Bond series or creating a credible timeline for the Legend of Zelda?

The new game in 2013 certainly looks interesting and promises to feature more puzzle elements so I hope it is a return to the style of the originals with fewer shooting elements and more opportunities to do the classic puzzles that defined the game. Sections such as one where she is escaping whilst tied up piece shown in the trailer mirror the levels in the first game where Lara has to survive without guns so perhaps there will be a bigger focus on capturing the appeal of the original games.

I for one would happily forgo all the fancy graphics for inspired sections set in skyscrapers with laser beams; visits to Loch Ness with a surprise guest; and dinosaurs in the South Pacific.

I just hope they finally settle on what they’re doing with Tomb Raider and don’t get confused over what the series should be about and where the characters goes from here. I for one would love to see what Core Design could do, if they were given the chance, to help resurrect the series but will hold my judgement until next year’s game is released.

What do you think? Am I holding the originals in too high a regard or am I right about the changes in the series?

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Top Cat: The Movie [Movie Review]

Now I have to admit I do have what some might say a unique taste in movies and often disagree with popular opinion. For instance, dismissing some of its occasional cringey moments, I enjoy the third entry in the Sam Raimi Spider-man trilogy and feel it’s the second strongest of the films. I prefer the third Matrix film over the first. I think ‘Signs’ by M Night Shyamalan is one of the cleverest plotted films of recent years. And I also think films like ‘The Dark Knight’ and ‘The Avengers Assemble’ were over-hyped and good, but not great.

OK, so I’m probably setting myself up for a fall here but I have to say I also enjoyed the recently released, and widely panned ‘Top Cat: The Movie’, a Mexican export re-dubbed and released over here.

The film, based on the 1960s Hanna-Barbera cartoon of the same name, tells the story of Top Cat and his gang of alley cats who are the feline equivalent of the cast of Hustle, always on the lookout for a get rich quick scheme much to the annoyance of New York cop Officer Dibble who tries to keep them in line. In this film, though, Dibble has more to worry about with shabby millionaire Strickland conning the New York police commissioner into letting him become his successor and replacing the entire police force sans Dibble with computers, CCTV cameras and robots in an attempt to become even richer thanks a series of ridiculous laws that come with their own equally ridiculous fines. It’s up to an imprisoned Top Cat and his gang, with Dibble, to stop him and reclaim New York.

Getting to see the film was an interesting journey as my first attempt to see it was cut short by a faulty film showing so it was only a week later I found another slow to see it.

I feel that ‘Top Cat: The Movie’, like other Hanna-Barbera adaptations recently (“Yogi Bear” springs to mind), has been unfairly given negative reviews by critics. Sure, the movie is not laugh out loud but it’s certainly not a tedious ninety-minutes and is a vast improvement on toons brought to the big screen like 2002’s ‘Scooby Doo’.

The film has its fair share of great humour brought about by the situations the characters get themselves into, from a selection of Family Guy-style cut-aways based on observations, to a well-timed and spot-on parody of the opening titles without Top Cat, who at this point in the film is imprisoned in ‘Dog Jail’, and many other one-liners and puns from the characters and the generic robot guards, who are given a range of personalities and quality lines. It also has its fair share of weird off-the-wall moments such as the back-story to the Anthill-Mob-style gangsters introduced late into the film and the random small police officer in Dibble’s office, alongside some nod-and-a-wink jokes aimed at the more adult audience.

For a fan of the original cartoons it’s very in keeping, with the quiet, gentle humour that perpetuates through the animation studios work. It does drop a few clangers script-wise with Strickland’s repeated emphasis of saying he’s handsome when he’s in fact pretty ugly wearing thin, a male-dominated cast with a female cat originally just there as eye candy (but does get good characterisation as the films nears its conclusion) and a potentially dodgy characterisation of an Indian sultan in the opening sting (who incidentally comes from Pikachu, surely up there with choosing the name of the creatures in film ‘Lady In The Water’ as narfs, as a misake in naming) but these are out-numbered by many other better jokes.

Officer Dibble is one character who benefits from the film with a much stronger characterisation than the original films and you certainly grow to feel for him as a character as he becomes the central focus as key parts of the film as a victim of Strickland.

The animation style has also been heavily criticised as being poor for the film. However, I would disagree as it certainly suits the original as it looks like what Hanna-Barbera cartoons would look like if they’d be done now. Mixing in cell-shaded 3D environments with flatter characters, a sort of 2DTV-style, I think it really suits the piece and though it’s not to a Pixar-level of detail the classic cartoon characters look just as they used to but brought into the CGI era and there is still plenty of detail in background visual jokes, water effects and much more. I think the style is great and distinctive and suits it. That’s not to say it’s, of course, perfect with a few inexcusable animation faults (in a scene where a character digs, a piece of rubble doesn’t move as it should) but mostly works well.

Added into the mix the voice work captures the feeling of the original with Top Cat and Benny the Ball in particular sounding like the classic characters and there is a good nod to the original with a modernised version of the opening and closing credits with a fantastic new version of the classic theme. The movie manages to balance the old and the new with the sixties feel of the original with references to modern technology and society.

Overall it’s not a film that’s going to win any awards but certainly doesn’t deserve the drubbing it has been getting in the press. With animation that mixes 2D and 3D effectively and suits the style of the original with a plotline that captures the gentle humour of the inspirational cartoon series, it’s definitely worth ninety minutes of your time to watch.

(7/10)

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Gary Barlow OBE

As expected following his impressive work for the Jubilee Concert, rumours are now running that Gary Barlow of Take That will be awarded an OBE when the Queen's Birthday Honours are announced next weekend on the 16th June. Read more at http://www.dailystar.co.uk/gameon/view/256073/Gary-Barlow-set-for-OBE-honour-/.

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Are ITV letting Primeval fail?

Returning to a topic I’ve covered several times over the past year or so, I want to ask the question that has been on my lips for a long time: are ITV letting Primeval fail?

For those of you not familiar with the trials and tribulations of the programme, the show – which looks at a team investigating rips in time through which past and future creators enter our era – was cancelled after the third series and only saved by a global deal that saw ITV show series four first followed by digital station Watch, with Watch getting the premiere for series five. Finally, almost a year after series five debuted ITV start showing it on Saturday.

Now I’m not going to say ITV have an easy sell with Primeval series five. It was shown on television last year and has been on DVD and Blu-Ray for nearly as long. But they’ve not exactly gone out of their way to promote it to the not-unsubstantial audience already out there that have yet to see the series, which in my opinion is the strongest one behind series three.

I’m not going to be naive and say that ITV must be champing at the bit to re-commission Primeval due to their financial troubles, but with an audience of 4.6m on average for last year’s series it’s not a small audience and it’s the closest thing they have at the moment to Saturday teatime drama. Though we are getting a series follow-up in Canadian spin-off ‘Primeval New World’ I don’t think I’m the only one who would like a UK-based sixth series, promoting British actors and actresses and set here in Blighty. The UK doesn’t have enough home-based drama that can be sold abroad – Primeval and Doctor Who stand very much alone in this field – and the loss of Primeval will be a great shame. Though nearly eighteen months since the cameras last rolled on the series it’s still not too late to get everyone back together for a sixth series.

But I don’t see it happening. Why? Well, aside from the focus now moved to the North American version, ITV are certainly proving either incompetent at marketing the show or intent on letting it fail to justify not renewing it.

Television adverts promoting its return have only started airing within ten days of its return. Itv.com/primeval remains down since series four ended. @itvprimeval hasn’t been updated since the 9th March last year; their Facebook page at http://www.facebook.com/ITVprimeval deathly quiet. If you go to itv.com there’s nothing on the front page: no publicity for the returning which is now only six days away.

Contrast this to Watch’s marketing for series five when it debuted on their channel last year. Granted, they had to make the effort to promote the series on a minority channel but, especially considering their lesser budget compared to ITV, did one of the best marketing campaigns for a series ever with specially filmed on-air promos featuring the cast, a strong website and a month-long Facebook fan page which gave its members a special treat each and every day to whet their appetite. If they can manage it, why can’t ITV?

I would love a sixth series of Primeval to see more storylines and how the characters develop and have a credible alternative to Doctor Who, which is treated with far more respect by the BBC than Primeval ever has been ITV. Unfortunately I don’t think we’re going to get it through a combination of factors from the unavoidable, such as the financial issues faced by drama creators, but also by the things that have been done badly or could have been done better, such as the disappointingly poor promotion by ITV. Even their publicity last year for series four was hardly earth-shattering, but at least they had information on the website, a Twitter handler and a generally bigger buzz, all things that don’t cost many pounds to undertake.

As ITV are promoting the fifth series with ‘The beginning of the end’ I hardly think the future of the show looks rosy, poorly marketed and hidden away in the schedules amongst the buzz of Euro 2012 and against a month, June, that’s typically one where people would rather go out than stay in and watch television (though the typical British weather is putting paid to that at the moment).

ITV, you disappoint me.

(But, you know, if you’d like someone to update the online pages over the next week for free I would happily do it to help boost the viewing figures – message me!)

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Nintendo E3 in a Nutshell

Tonight, after a brief thirty-minute preview of what the Wii U can do technologically and socially on Sunday, we got the full seventy minute Wii U experience at E3 announcing many games for the new console, alongside a sample of 3DS games with a further broadcast on Wednesday night to give more insight into these.

So what did we get? Well it was a very enjoyable presentation with a few surprises. It was arguably Mario-centric, especially when it came to 3DS games, but there was much to whet the appetite of those interested in what the Wii U has to offer and overall was a very enjoyable presentation packed with promise.

Two of the most exciting games shown have to be the latest entry into the Mario franchise and a surprise finish with a not-heard-of game (I’ll talk about these in more detail at the end) but there was a lot to take in, even if Reggie’s suggestion they had a lot to get through in an hour not stopping him waffling and re-capping what we already knew about the tablet.

Though I’ve not played a game in the franchise yet, God-sim sequel Pikmin 3 looks to be a step-up both graphically and in game play with a stronger multi-player focus and more depth and challenge.

There were also a few other reveals including the console being available in black and white – though no confirmation whether at launch; compatibility with Netflix, YouTube and Amazon Video; and how it can support two game pads in post-launch games with rumble and speakers confirmed in the individual game pads.

Games revealed include a special edition of Batman Arkham City using the game pad as an inventory selector among other things; Scribblenauts Unlimited for both the Wii U and 3DS with the former at least boasting touch-screen combination of items to create your own unique objects; Wii Fit U which can work with just the screen and a piece of technology called the Fitmeter, which looks like a pedometer-style device that works with NFC with the game pad to upload your work out through the day to the system; and SiNG, a new franchise that sees the game pad become a lyrics screen, allowing you to face the crowd rather than away from them to sing, whilst your friends can take part in a dance game. All these look very promising titles. Even if they had to play Carly Rae Jepsen as part of the last one.

Also given more information were 3DS games including ‘New! Super Mario Bros 2’ released on August 19th in the USA with a strong gold collector theme (no real explanation though) and the return of raccoon Mario; a new Paper Mario game with a brief explanation of the sticker power-ups; and the Luigi Mansion sequel for the portable console featuring multiple mansions. More will be revealed for the handheld at tomorrow’s demonstration including, one presumes, games that don’t involve Mario and what the gold theme means for the new handheld game, not that we have long to wait for it.

Lego City Stories, also shown in the Wii U version and ending with a funny Mario joke, looks like a Lego version of Grand Theft Auto with its city-based mission-based gameplay; and the inevitable Just Dance sequel. There was also quick previews of games such as ‘Aliens: Colonel Marines’; ‘Ninja Gaiden 3’; ‘Darksiders 2’; ‘Assassins Creed 3’, ‘Rayman Legends’, ‘Trine 3’ ‘Tank! Tank! Tank!’; ‘Tekken Tag Tournament 2’, ‘Castlevania’ and ‘Mass Effect 3’ on the video screens during the presentation, all with more information on the website that was announced at the end.

After a comment that may get Reggie sacked – “Being the puppet-master is like being in charge of NOA” – we got a bigger focus on ZombiU, a Left-For-Dead style shoot-em-up first teased on Sunday night’s video that looks promising and also includes an interesting, but possibly gimmicky, camera application to turn you into a zombie, that at least moves with you as you do.

The presentation ended on the very promising Nintendoland game, see below, though it doesn’t seem like it will be packaged with the console, but will at least be available at launch.

Reggie advised people to find out more at e3.nintendo.com and there’s certainly more to be seen then from concept art to videos and other games such as Project P-100 (a Pikmin-style superhero game); Panorama View (a play on augmented reality in your living room using the game pad); and ‘Game and Wario’ which looks to be the party game successor to the ‘WarioWare’ franchise.

Overall it was a very promising presentation for Nintendo and possibly the strongest line-up of games revealed for any console launch, with the technology to back it up. There are still questions to be answered relating to the power of the console and how much it will ultimately cost, and whether the announced “hardcore” games will be enough to satisfy the naysayers and build a strong foundation on top of the aging PS3 and Xbox 360, but in the wake of E3 I feel that Nintendo are definitely in a strong position for a festive launch this 2012.

And here is some more on two games in particular I can’t wait for...

New! Super Mario Bros U

A new 2D platform game set in the Mario Universe. From the title card displayed, showing Baby Yoshis and the sea-mine type squid monsters, but with a more art-style feel with moving, texture-rich backgrounds, it looks like a cross between the New! Super Mario games and the two Super Mario World releases. One background resembles Van Goth’s night-sky paintings.

With the hints from the Nintendo Direct show, there is a new power-up that turns the playable characters into a flying squirrel, demonstrating similar movements to the hover abilities of the SMW cape. Also with power-ups you can feed the baby Yoshis, but no evidence that they grow up into full Yoshis but this will be likely. Yoshi can also receive a balloon power-up, similar to the one from Super Mario Galaxy 2, that allows a character to grab onto him and float around. It also seems that baby Yoshis can trap enemies in bubbles.

There is also four player co-op play using the Wiimotes – with Miis playable and is more assist play than verses play. The two Toad characters return as players three and four. The player in charge of the Wii U game pad can place blocks, platforms and freeze enemies to assist the others.

Star coins and red coins also return as does a Giant-style world from Super Mario Bros. 3 and the moving Boo ghost circles from Super Mario World. Moving platforms, time-sensitive platforms (including some resembling Electroplankton leaves), dark underground limited-light sections and underwater levels are also present.

New! Super Mario Bros U will be a launch game with the Wii U console.

Nintendoland

Nintendoland is the Wii U equivalent of Wii Sports set inside a theme park populated by Miis with a series of mini games including ones set in the Mario, Donkey Kong (“Crash Course”), Animal Crossing (“Sweet Days”), Metroid and Zelda (“Battle Quest: Archery and Swordplay”) universes.

One game – “Haunting Hijinks” heavily shown was based on Luigi’s Mansion, a top down Pacman-style game where the game pad player controls ghost scaring the other four players, who have to explore the maze and shine their torches on the ghost to weaken it and ultimately destroy it, but their torches have limited batteries, replenished by batteries available in the maze. Meanwhile the ghost can cause players to faint who can be re-animated by other players shining their torches on them. The ghost wins if all players are knocked out at the same time, or defeated if worn down by torch light. Only the game pad player can see everyone’s locations and the players can’t see the ghost.

Another game is one based on a tech demo for last year which is a game based on shooting metal weapons at targets.

Nintendoland will be a launch game with the Wii U console.

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Wonderpedia - The New Magazine

Whilst browsing in my local Morrisons I decided to pick up some magazines (no, not that sort of magazine before anyone suggests anything!) and among the usual Stuff and NME and bits was a new magazine called 'Wonderpedia', released this month for the introductory price of just £1.99.

'Wonderpedia' is basically Wikipedia meets QI in magazine form, a stylish 100-page collection of facts, figures and articles on everything from the Mona Lewis to a Bangoko prison, the working of the brain and the heart to what makes a psychopath.

I'm not entirely sure who the magazine is aimed at as the language is straight-forward but not child-like but the straightforward laying out facts and strong design and photo focus suggest it is for a younger audience, though the style of ads are the ones you'd tend to find in a men's magazine - cars, beer, the, er, latest bladeless fan from Dyson. I think it's a magazine that is trying to hit lots of people and its a wide demographic sweep that works.

Very well composed with a good mix of chunky articles but also snippets of facts, often with large, bold photos or diagrams, it's truly an interesting read, sort of like a Schott's Miscellany book but with more pictures.

It sounds like the monthly issue will be just £2.99 from issue two and for what you get that is a bargain, and you can save even more by subscribing.

A surprise pick up and a magazine well worth reading to find out lots you don't know on a very wide range of subject matters. Give it a try!

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Jubilee Concert (4th June 2012)

As part of the general Jubilee celebrations yesterday was a three hour concert featuring, frankly, a stellar line up of artists from throughout Queen Elizabeth’s reign as well as some comedians bridging the gaps.

Overall the concert was a fantastic experience and well worth seeing, from the grand stage in front of Buckingham Palace to the great selection of British talent and some from further afield. That’s not to say it was the best start ever.

After a short performance from the Scot’s Guards that kicked it off in right Royal fashion we got Robbie Williams, surely one of Britain’s most reliable and enthusiastic entertainers, starting the show with ‘Let Me Entertain You’, both an appropriate start and a real energetic opening with musical backing from the guards adding to the music and I hope this is available to download soon. It certainly got the crowd going and it was just a shame he only had one opening number, and it also should be noted that he hit the notes of the song perfectly. Why? Because of what followed.

Is it the acoustics of the venue? Is it the sound system? Why do half of the artists sound shocking? Surely it can’t be because they can’t sing live? Well, I’m afraid it must be the latter as many of the artists showed it was neither the acoustics or the sound that was causing some to sound bad. One artist sang a song while bloody hula hooping and sounded perfect for heaven’s sake!

Will.I.Am of the Black Eyed Peas came on next to sing their hit ‘I Gotta Feeling’ and, frankly, until Jessie J came on to rescue the song it was horrible. I admire Mr Am as a producer and rapper but he should never try singing. Especially live. It was horrible to listen to until Jessie J replaced Fergie on vocals – perhaps they were afraid of booking the wrong one, or couldn’t afford the “access” – and continued the show with a fantastic live version of ‘Domino’, a difficult song to sing but one she pulled off with aplomb. The stage, though, having previously been full of guards and string players, did seem strangely empty by this point.

JLS came on next with ‘U Make Me Wanna’ which was mostly OK but had its fair share of bum notes and I’m glad I had five minutes of Sky Plus pause to fast forward through. The next bridge was done by comedian Miranda Hart who, as expected, couldn’t end a punchline without making it sound like the end of a desperate lonely hearts column. I loved her in ‘Not Going Out’ but her solo material is so samey and desperate it annoys me. At least she didn’t do a prat fall though.

Next on the bill was a great idea of a cover, Lady Antebellum’s ‘Need You Now’. It was also a great idea to get concert organiser Gary Barlow to sing the male vocal. It was more grate, though, that they get Cheryl Cole to sing the female vocals. Frankly, she sounded awful, especially against Barlow’s in-tune vocals. It’s no wonder I didn’t like ‘Three Words’ when she duetted with Will.I.Am. I imagine live it must sound like someone slaughtering a cat to a bassline record.

The concert was lifted back up though by excellent comedian Lee Mack doing the next link, throwing in probably the best written and delivered comedy of the evening that didn’t fall back on fawning or stereotypes. It certainly cements Mack as one of our best current comedians both in stand up and on sitcom.

Gyrating septuagenarian Cliff Richard was up next to perform a montage of his hits which was fun to hear as a collection of songs from earlier in the Queen’s reign but even he struggled with some notes and didn’t cover himself in much glory. He ended with a full version of ‘Congratulations’, sadly a song ruined for me by too many visits to Frankie and Benny’s where they insist on playing the song every time a birthday party is in, which is most times.

Michael McIntyre-look like Lang Lang came on next to do some piano work, raising the cultural bar of the night, though I was expecting the Chinese panda from Glasgow Zoo to appear and then the music continued in the same vein with some opera from Alfie Boe including that Cornetto advert tune (yes, I’m a pleb).

Lenny Henry was on around here to do the next link. Now I love Henry as a comedian but, like Miranda Hart who always does her lonely hearts jokes (she did again in her second link – I’m glad I wasn’t playing the jubilee drinking game where you take a shot everytime Cheryl Cole missed a note, she mentioned she needs a man or the Queen looked miserable), he always shoe-horns a joke in about him being black. That’s great, Lenny, we know that. It’s 2012. Being black isn’t something weird or foreign so stop acting like it is.

Possibly the weirdest act of the night came on next, singer Grace Jones, dressed like a lobster, hula-hooping her way through her song. I assume this is a game to be showcased tonight at Nintendo’s E3 show. Her delivery of the song was perfect especially considering the extra exercise she was doing at the time and added another genre tick to the concert that was the definition of something for everyone.

Prince Harry look-a-like Ed Sheeran was on next and did what I thought was impossible and made me enjoy him singing ‘The A Team’. He sounded great but not sure a song about class a drugs is suitable for such an auspicious occasion.

Annie Lennox was the next act, trying to one-up Grace Jones in the fancy dress stakes, coming on with a pair of angel wings that the band had also donned. Either that or she’s appearing alongside Matt Smith in the next Doctor Who series and if you blink she’ll take you back to the Queen’s silver jubilee. Her voice was great and she tackled the songs well and proved that, in the main, it was the older artists holding up the music on the night.

With Rolf Harris suddenly appearing as a compere – he comes in useful later but otherwise one of the world’s leading entertainers is sadly underused – it’s onto Tom Jones who brings one more Welshie onto the stage after Rob Brydon and the soon to appear Shirley Bassey. He opened with a smooth and great sounding version of ‘Mama Told Me Not To Come’ sans the Stereophonics and then a Spanish reworking of sing-a-long hit. As many Twitterers observed – one of the highlights of this performance was commenting jokes on Twitter and seeing what everyone else was putting, and I apologise to my followers for my 200+ tweets on the night – a sing-a-long wife-murdering song is an unusual choice, especially when followed by the return of Robbie Williams singing ‘Mack The Knife’, offering the musical back-to-back equivalent of a London knife fight. It was great to see Robbie back on stage even if it was singing his swing cover, but it must have been a good start for the Queen, who turned up at this point. I know her husband is in hospital but she didn’t at all look like she was enjoying the gig. It’s alright for her, she came in at the good bit and didn’t have to hear Cheryl, Cliff or Will.I.Am.

The next song was probably the highlight of the evening for me. It was Gary Barlow’s ‘Sing’, performed on stage by the Commonwealth band including the Military Wives and a young African choir. It’s a beautifully composed song and was done marvellously live with all the voices and characters and works really well as a soundtrack to the Jubilee.

After a few more links – Rob Brydon seemed obsessed with making Gay / Queen jokes but his Jeremy Hunt line was possibly the most inspired joke of the night – we got one number from an underused Shirley Bassey – naturally ‘Diamonds Are Forever’, the first of two James Bond songs of the day – and then a montage from Australian pop princess Kylie Minogue who looked rather sexy in her pearly-king inspired costume and rattled through a good range of hits and some top dancers.

As the concert began its journey towards the end we got a beautiful rendition of West Side Story’s ‘Somewhere’ by Alfie Boe and Renee Fleming on the Buckingham Palace balcony (a musical about gang warfare – there’s a trend here) and then a cracking set from national treasure Elton John, starting with my favourite track of his ‘I’m Still Standing’, alongside ‘Crocodile Rock’ and ‘Your Song’, which is a set-list you can’t really criticise, even if he didn’t do ‘Candle In The Wind’. Shame.

With more black jokes from Lenny “One Note” Henry we then got the possible highlight of the evening, tongue-in-cheek. Forever more Stevie Wonder will be blamed for not being ready on time, or Gary Barlow for running too early, as Rolf Harris was called on to fill time. Naturally he performed ‘Two Little Boys’ acoustically which did get the crowd going, but the inclusion of the final number one of the sixties would never really be on any ones wish list. Though, kudos to the man, Harris proved himself to be able to keep the show going and the crowd involved at very last minute and shows him to be the amazing entertainer he is, even if he did start to break up with laughter.

Stevie Wonder’s set was as great as expected with the amazing ‘Sir Duke’ starting his set with ‘Happy Birthday’, perhaps not as relevant to the occasion as Cliff’s ‘Congratulations’, following alongside ‘Superstition’. A fair point was made by Lee Mack about him doing a duet with Paul McCartney on ‘Ebony and Ivory’, something that didn’t happen, but echoes the feeling I had about artists sharing the bill and not teaming up. Robbie and Kylie performing ‘Kids’ would have been incredible.

The major highlight of the evening had to be, though, Madness on the roof of Buckingham Palace but not necessarily for their performance, though that was as amazing as you’d expect. Accompanying ‘Our House’ was some eye-popping visual effects projected onto the front of the palace showing the front peeling away to show a row of terrace houses and then people dancing inside. It had to be seen to be believed but was a visual spectacle.

Peter Kay was a surprise guest for a brief and mildly amusing comedy set before headliner Paul McCartney came on for a fun set full of unusual song choices including ‘Magical Mystery Tour’, ‘Live and Let Die’ and ‘Ob-La-Di-Ob-La-Da’. He sounded good though and got the crowd singing but expected some more sing-a-long Beatles tunes.

The night ended with a touching speech from Prince Charles – calling the Queen ‘mummy’ and an impressive firework display that was well timed with the end of the BBC coverage.

Overall the Jubilee Concert was a well organised and enjoyable 200 minutes of music, encompassing artists to please as many people as possible. Tom, Madness, Robbie, Gary, Shirley, Kylie, Paul and others lifted the show to great heights, it’s just a shame that Cliff, Cheryl and Will.I.Am seriously let the sides down. The light work was great, the projections fantastic, the fireworks a great rounding off of the night. Though a few of the comperes were less than funny – Mack, Harris and Henry, when he wasn’t making stereotypical jokes, were the best – it was an event that was held together well, and was made even better with the typical British self-depreciation and piss-take humour evident on Twitter.

The BBC’s coverage of it was mostly first class but I bet the atmosphere of being there on the night would have been even better. A great night to celebrate her Majesty’s 60 years of reign.

(8.5/10)

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10 Things I Want To See From Tonight's Jubilee Concert

1. With Robbie and Kylie both on the schedule I'd like to see them team up for a live version of 'Kids'
2. Madness to get everyone to do the nutty-boy dance to 'One Step Beyond'
3. Sir Paul McCartney to sing 'We Can Work It Out' without News International hacking into his phone to do so
4. Prince Harry to play the tambourine live on the Commonwealth Band song
5. Prince Philip to avenge Brian May and performing 'God Save The Queen' with bagpipes on the roof of Buckingham Palace
6. Prince Philip to insult Stevie Wonder live on stage with some blind person joke
7. Tom Jones and Jessie J to both turn their backs on JLS using revolving chairs when they start singing
8. That chap from the Script goes mad realising that the other three judges from 'The Voice' are performing and he isn't, and slaps the Queen in the face with a custard pie
9. Elton John starts playing 'Candle In The Wind' and is immediately removed from the stage by the security staff
10. Cliff Richard calls Ed Sheeran 'Ron Weasley' and they have an on-stage fight

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Phil’s Adventures with his Raspberry Pi: Part Two

So, the story so far from part one is that I’ve got the actual Pi itself, the power cable, sound cable and, hopefully, a working HDMI > VGA cable but the only thing missing from starting the Pi up was an SD card.

So, one trip to Argos and purchase of a SanDick SDHC Class 4 8 Gb card later (£14.99) I now have everything I need – I hope – to get it working.

Firstly I need to install the boot information to the SD card. Heading over to http://www.raspberrypi.org/downloads. For my Windows PC I firstly needed to download and install http://www.softpedia.com/get/CD-DVD-Tools/Data-CD-DVD-Burning/Win32-Disk-Imager.shtml (avoiding the misleading RAR extraction tool advert at the top).

As I am a beginner to this I went for the Debian “squeeze” download available on the Raspberry Pi website and installed using the second edition of the useful MagPi magazine as help.

Opening the Win 32 Disk Imager I located the image file and selected the device to right to (in my case ‘D’) then pressed ‘write’. Make sure you don’t make the mistake I did and have the SD card open in Windows Explorer at the same time as you’ll get an error.

With the software installed it was time to get it to work!

Now the first stumbling block was, as feared, the HDMI > VGA connector was a dud and didn’t work. So, with a bit of a change of plan, connected it to the flat screen TV using HDMI and this worked fine, booting up and allowing me to log-in using the log-in details provided on the website and then entering ‘startx’ into the command prompt to open up the GUI. And there was the Raspberry Pi in all its glory.

Now to test the other elements.

The next stumbling block was the keyboard and mouse. The ones downstairs are PS/2 connections so I had to use the USB ones from another PC so two converters need to be purchased to connect them to the USB hub we already had (though for cost I’m just going to buy a cheap USB keyboard and mouse), plus a USB A > USB B cable as I had to cannibalise another one. Problem solved for that.

I tried putting in the Western Digital hard drive I had into the Raspberry Pi and after a few error messages and a ten minute wait it finally mounted successfully and I could access the drive. My memory stick, thankfully, loaded quickly.

I am pleased to see that the Linux software is very like Windows and intuitive to use and even comes with its own music player, which is good, though for some reason I cannot get any sound out of it even though the website confirms that sound through HDMI works (and removing the HDMI gave the familiar noise of sound being pulled out) but none of the music would play even when I plugged in the headphone out > phono cables so this is the second problem I need to solve.

So some progress and though not as smooth an installation as I would hope there has been progress.

Problems to solve:
Connecting up the Raspberry Pi to my ordinary VGA monitor
Working out how to get sound of it
Waiting for the keyboard, mouse and USB cable to turn up
What to do with my spare SD card

Stay tuned as I try and solve these problems!

Total cost spent so far:
Raspberry Pi £29.46
Power Cable £03.94
3.5 Jack > dual phone £00.75
VGA Converter (Dud) £06.07
USB Keyboard £06.07
USB Mouse £04.24
USB A > B £00.81
TOTAL £51.34

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Nintendo Direct Report (3rd June 2012)

Over thirty minutes last night Iwata-san of Nintendo revealed some new information about the WiiU – Nintendo’s next generation console – ahead of tomorrow’s E3 press conference.

So what did we learn about this Christmas’ console release? Well the Wii U tablet – the stand-alone controller featuring a touch screen – is now known as the “Game Pad”, has clickable analogue sticks rather than circle pads (which will make many games much easier to control) and new buttons on it including confirmation that it will be compatible with NFC (Near Field Communication, interacting with cards or devices placed near the device) and that you can use it as a limited universal remote with your television. They also confirmed the presence of motion and gyro controls alongside a slight re-tweak of the body form.

The game pad is looking to be an exciting piece of tech, one that can control the Wii U in different ways, working independently so you’re no longer shackled to your television but also working with your TV to create new entertainment experiences. Granted very little truly revolutionary information was revealed on this Nintendo Direct broadcast that we didn’t see last year but it was fun to see some clarification.

The rest of the broadcast was taken up with a description of the Miiverse which, for all the positive banter online, is really an exercise in catch up on services such as X-Box Live. When you boot up your Wii U you see a massive version of the Mii Plaza with descriptions of what your friends and other console players are doing with speech bubbles explaining their activity or what they are doing. It’s basically a huge Nintendo social network with the ability to write comments on the game pad and send them to friends or out to the general throng of players, for instance asking for help in a game as shown in perhaps the cheesiest American video game promo in a long time. It won’t be long before ‘none-specific action figure’ is set up on Twitter, I bet you.

(It comes just ahead of the explanation that Miiverse is Mii + Universe, which was a little bit of stating the bleeding obvious).

What is exciting about this network, though, is that you’ll also be able to access it on your smart phone or PC or, in fact, any internet-enabled browser, which definitely ticks the box of Nintendo’s convergence. Here’s hoping it can also connect to Facebook and Twitter for true integration.

A few other tit bits were also revealed such as the ability to take and post screen shots of games and a map from the new Mario game showing comments on levels by friends. In fact, this new Mario game shown looked gorgeous and with a Super Mario World-style map, so I’m definitely looking forward to playing that!

Throw in the new Wii U Pro Controller (many comments correctly compared it to the X-Box controller in looks) and hints at games to be revealed tomorrow the Wii U does look like a strong contender for Nintendo. The heavy focus on social networking is a definite step in the right direction but it will live and die on how much it integrates with the real world Facebook and Twitter universes and, of course, how much power the game has under its bonnet to take a leap forward from the current generation PS3 and X-Box 360 ahead of whenever Sony and Microsoft release their next consoles.

Did we learn much more from the Direct broadcast? Not really. We learnt the rumour of changing the name to avoid confusion with the Wii is not true, but the inclusion of analogue sticks is. We saw that there doesn’t seem to be an upgrade to the Miis – they don’t look particularly any more detailed – and no real clue on how powerful the console is. Hopefully this will be resolved on Tuesday.

The new Mario game looks exciting and the social aspects will be fun, and the relationship between the game pad and the tablet looks to be an inspired decision and with video chat and much more possible should make up for the weaker aspects of the internet connections of the Wii. Plus, we’ll be getting an update to the 3DS to the Miiverse. It would also be great if they could do it for the original Wii, too, so players with the older console could be part of the buzz and make it an even bigger global experience.

I’m excited now for E3 for the games and what Nintendo will do with these new powers and hope there’s something big and fresh they’ve yet to announce.

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Electric Six Zodiac demo track

You can now hear the demo of the track planned to go on previous album 'Zodiac'. Go to http://soundcloud.com/e6-extras-associates/typical-sagittarius-demo to hear it in full!

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Phil’s Adventures with his Raspberry Pi: Part One

Many months ago I pre-ordered my Raspberry Pi – a small, one-PCB computer capable of doing some amazing things for a very low price tag. And then, after many e-mails regarding many delays including unexpected demand and the need to slap a CE label on it to make sure it was safe, my Pi turned up in a rather unassuming white box.

The purpose of these articles will be chart my progress of working with the Raspberry Pi, in an attempt to replace a hulking old computer connected to my parent’s hi-fi that, though fit for playing music, takes ages to load up, with a smaller, more stream-lined version using the Pi as the basis.

Along the way I’ll be talking about problems, solutions and compromises. Having never built a PC or worked with Linux I expect it to be a challenge so we’ll see how it goes!

Now the first challenge would be to buy the cables and kit necessary to get it working. Out of the box you literally just get the circuit board and nothing else to get it to work so, when it arrived a week ago I began ordering everything I needed.

Firstly, power. As I’d recently purchased a new mobile phone in the shape of a HTC One S I tried its power cable and found it fitted so ordered a new one from Amazon in the shape of “Micro USB Mains Charger For HTC ONE X, HTC ONE S, HTC ONE V, HTC Sensation XL” costing me £3.94. Plugging this in found the red light symbolising power came on onboard the circuit board so a success there.

Next was sound, which was straight forward, as that was just a standard headphone jack out to dual phono, coming in at a bargain 75 pence.

Then there would be the SD card onto which the files are loaded and the device boots off from. It has to be at least 4GB, class 4, preferably a brand name. I’ve ordered one and it’s yet to turn up so I’m going to pop into town in a couple of days to get another one to make sure I have time to test it. Until I can get this card the Pi shall remain unused.

Onto visuals and this is where it gets murky. The Pi has two outputs: HDMI and yellow composite out, both of which are fine if you are plugging into a television. Sadly, however, in my case I’m going to be plugging into a monitor via VGA which is not supported, and I’m paraphrasing here from the official website, because VGA is an old technology.

Now to me 100% of the computers I use connect the main PC to the monitor by VGA though chatting to my friends they keep mentioning DVI, but in my experience it’s VGA all the way. It seems from mooching around on the internet that this is a grey area of information and a hot bed by buying cables that doesn’t work. The upshot is that I have to connect it to a monitor so need some way of converting so for £6.07 have bought a “1.5M HDMI HDTV Male to VGA Male 3RCA Converter Cable” and I wait nervously to buy the SD card to see if this has been a worthwhile purchase or a useful piece of tech.

The Pi is not a problem if you are connecting to a flat screen television as they tend to have HD inputs and composite in, but not if like me you are using a traditional VGA monitor.

Total cost spent so far:
Raspberry Pi £29.46
Power Cable £03.94
3.5 Jack > dual phone £00.75
VGA Converter £06.07 TOTAL £40.22

Next up on my list is to get the SD card so in the next part I’ll be taking you through the process of installing the software and getting it working, and seeing if I can get the visuals to my monitor, plus dipping my foot into the world of getting a case. Then after that it’s attaching the keyboard and mouse and hard drive via USB and exploring the world of installing software like a browser, music player, Spotify and audio editing software.

It’s going to be an interesting time I think!

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An Update On My HTC One S

It's been a while since I updated on my phone following articles - Part One and Part Two - and it's been a relatively smooth ride with it.

I'm enjoying the much easier to use abilities of Facebook and Twitter via the apps and the app store is itself proving to be very good on Android phones. There's nothing particular that I've wanted to download that's not been available and it makes things like IMDB, RunPee (a great app for film goers) and FourSquare a doddle to use.

I've been exploring the features of the camera much more and though the front facing VGA camera is so low quality it's almost pointless the main camera creates great quality photos though does struggle with fast moving images. One thing it is lacking is some way of taking photos of yourself with friends and it's difficult to point the exterior camera at you and then press the correct part of the touch screen to take the photos, so a physical side button would have been beneficial.

The one part of the phone I am finding a struggle with at times is the mobile signal. A 3G or H connection isn't always possible and sometimes Facebook can be rather sluggish. I also find that it sometimes takes two times to call people or a good ten second delay between starting a call and it ringing, but I don't know whether this is to do with the phone or T-Mobiles signal. The amount of bars displayed doesn't seem to connect up with the speed of the connection and the Wi-Fi sometimes seems to stop things downloading at all unless cancelled, but this is rare.

There are a few other minor quibbles. With the beautiful weather we've had recently I find the screen doesn't cope so well in bright sunlight and the side of the case gets scuffed a little.

Overall though I'm very pleased with the phone. Phone calls are clear and crisp and now I've activated my voice mails, for some reason this wasn't set-up by default, everything is working fine. The layout of text messages as conversations is very helpful but I'm still struggling with the keyboard, but a stylus bought for me by friend Liam helps. The buttons are just too small for my fingers and though the predictive text options is excellent in guessing what you're writing, even when you go considerably wrong it's still not that intuitive.

One thing I'm trying to tackle now is showing the calendar options - which syncs perfectly with Facebook - as part of the main screen but it's just a matter of uncovering the options.

If someone asked me the straight question of, if given the option, would I buy this phone again, I would say yes. There are a few minor niggles with signal and the difficult to use keyboard, but it's a phone that integrates easily and intuitively with contacts, social networks and other areas. The app store is easy to use and comprehensive. The camera is above average for a mobile device. The music player sounds great and is flexible. The screen is a great size and the device itself light weight. So, yes, it's well worth a purchase.

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Men In Black 3 [Review]

Ten years after the previous film, Will Smith and Tommy Lee Jones are back in the third entry in the comic book inspired comedy films about an agency who monitor earth for aliens and protect the world from them.

This film sees Boris the Animal, played with much menace by Jemaine Clement, escaping from a moon base and plotted revenge of Agent K (Jones) who imprisoned him forty years earlier. Stealing a time travel device he kills him in the past, wiping K from history and leaving Agent J (Smith) to travel back and try to save his partner. Men In Black 3 is an enjoyable film to watch. Like the previous movies it’s not laugh out loud funny but it’s certainly a fun film with Smith having the majority of the good lines – the scene with police and a car back in 1969 being one highlight – but Emma Thompson as new character Agent O gets some good lines in her small appearance on camera. Jones plays his character well but in the early scenes he’s difficult to understand and doesn’t seem to have the energy he once had in the films. Will Smith is as energetic as ever and carries the film well.

Visually, the jump in CGI since the last entry is clear in the new film. Alongside some amazing camera work – the crane shots employed both in general early scenes and the climactic battle around a rocket are incredible to behold – the scenes where Smith does his time jumps are a perfect meld of real footage and generated imagery. Rick Baker’s alien make-up and costumes are as inspired as ever and effects such as those of Boris the Animal and his opening and closing skin never seem fake.

The film also takes time to acknowledge changes since the last film. Though I usually dislike scenes like this – quick throwaway lines to explain away deaths of characters because the actor has passed away or moved on that slow the film down – they are done well here with a small ode to Agent Z, played by Rip Torn who has suffered recent personal problems and several references to Frank the Pug throughout the film which, alongside cameos by the Worms, serve as fan-pleasing nods back to previous entries. Thankfully, these nods aside, it’s not a film that rests on the warm memories of the first to get its laughs.

Fleshing out the movie, Josh Brolin was perfectly cast as Jones’ younger self, both physically and in acting style, and Michael Stuhlbarg as Griffin, a future-predicting alien introduced half way through the film, quickly steals a lot of the screen time.

There is a lot to enjoy in this film and is well worth seeing, from the well created set pieces from the opening moon prison escape with its mixture of fighting and weird snogging with Nicole “Pussycat” Scherzinger, to the battle around Apollo 11 with its acrobatics and palm-sweating heights. It certainly seems to be the most well-crafted and ambitious of the three films and the ending, which is considerably down-beat in places and played with pathos, manages to be touching and clever without seeming too cheesy, plus the retro-fitting of a plot twist doesn’t seem out of place.

Throw in some great comedy pieces like the Chinese restaurant fight with a variety of aliens – the blob fish is a particular one to look out for – and you get a film that may not be overloaded with comedy but is a welcome return for Smith and Jones and, rather than damaging what has come before, adds to the mythology and universe and makes this a worthwhile addition to the first two films. It has enough creativity, interesting costume design, jokes and, most importantly, plot to carry the 100 minutes of film and is, I’m wary to say, possibly the best of the three films.

Don’t believe other reviews that suggest Jones is a mere cameo in the film; he gets plenty of screen time and Brolin plays his younger self so well it feels like the character himself never truly leaves the screen. Men In Black 3 is a well-written and performed film, though it’s not as funny as it could be.

The only shame is that the main theme song isn’t sung by Smith himself but the Pitbull track, playing over the end credits, is a grower.

(7/10)

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